Review: Six tracks from as many different artists make up this V/A offering from Richard Rossa's Stockholm-based Tom Tom Disco label. If you're looking for cowbells, handclaps and Philly strings, look elsewhere: the tracks here generally plough a far more electronic and leftfield-leaning furrow, blending influences from Italo, EBM, coldwave and early house. Frank Agrario's percussive, Afro-inspired 'Drum Circles' is the exception to that rule, but the standout for this writer is Guxi's 'Dribbling Disco', a mix of Italo and Chi-town tropes that periodically bursts out in unanticipated "proper disco" flourishes. Rabih Rizk's Middle Eastern-tinged 'Acid Drop' is good, too.
Review: Bologna, Italy's Francesco Brini, AKA, Frank Agrario, wears many hats: DJ, producer, mastering engineer, Swayzak drummer and owner of the Mozzarella Recordings and Spare Change Disco labels. Here, he comes to Sweden's Tom Tom Disco with three original tracks that blur the lines between nu-disco, funk and Balearica, with 'White Rabbit' also having a hint of Afro flava. Tom Tom boss Richard Rossa then adds a remix of 'Voodo' that's got something of an 80s new beat/EBM-ish feel, while 'White Rabbit' gets handed over to Tropikal Camel, who does his trademark Arab fusion thing.
Review: First making his name via production work for Swayzak, more recently Bologna, Italy resident Francecso Brini has stepped out as an artist in his own right under the 'Frank Agrario' moniker. Here, he comes to Tom Tom Disco with a four-track EP that's a melting pot of dancefloor and world music influences. 'Nefro' is a looping, percussive workout with Egyptian/Middle Eastern overtones, 'Kalakutta' is an Afro-style deep houser with jazz tinges, 'Tapwater' is a mellower groove, again with an African feel, and then finally Leonor brings us an epic, remix of 'Kalakutta' complete with broody synths and cinematic spoken vocal.
Review: Having previously plied his trade on Internasjonal Spesial, Tom Tom Disco and Spare Change Disco, Frank Agrario pops up on Glasgow's Maxi Discs. As usual, there's a pleasing looseness about the Bologna-based boffin's productions, with both the percussive, Afro-influenced nu-disco chugger "Balfonic", and altogether bolder "The Later The Better" making great use of analogue synths and live-sounding percussion. The latter features some musical elements that really shouldn't work together - most notably some sleazy, rave-era riffs, tasty piano solo and wonky drum hits - but somehow come together to create a really special track. Pete Herbert offers a smoother, cheerier rework to round off another solid EP from the Italian.
Review: From the awesome postmodern artwork to the post-punk avant disco rhythms featured on this release, you could easily be forgiven for assuming that Frank Agrario is some long lost kindred spirit to the likes of Talking Heads. But you'd be wrong; Mr Agrario is actually Italian producer Francesco Brini who is Swayzak's former percussionist. A few years ago he got bitten buy the disco bug and hasn't looked back since. Here we get two authentically early 80s cuts - "Fireworks" being a sweaty late night punk funk grind with sultry female vocals and a serious Kid Creole obsession, and "Sacramento", upping the tempo for a piano-led badass bass twister. Hot!
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.