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James Welsh
Browse the latest digital releases by James Welsh
Various
Played by: Juno Recommends Disco
Review: A round of applause for Dave Harvey's Futureboogie label, which is closing its doors after a decade in which it's releases got stronger and more varied year on year. This superb compilation acts as the imprint's final testament, offering no less than 20 previously unheard nuggets from the Bristol-based imprint's nearest and dearest. Given the wealth of high-grade material on show, singling out highlights is tough, but our current favourites include the echoing,'80s alternative pop-meets-proto house dubbiness of Tech Support's 'Writers Block', the alien synths, glassy-eyed stabs and bustling electro drums of Warehouse Preservation Society's 'Ron's House', the kaleidoscopic house psychedelia of Manami's 'Nacros.Is', the bleeping, drug-fuelled oddness of Chez De Milo's 'Need Someone' and the breakbeat-acid insanity of Hard Ton's 'Don't Believe The Hype'.
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FBRLP 002
05 Nov 21
Disco/Nu-Disco
05 Nov 21
Disco/Nu-Disco
Review: Futureboogie is the label arm of the UK booking agency and welcomes the multi-talented James Welsh to the roster. While he's just as adept at making punk and playing bluegrass, Welsh has also a long track record in making electronic music - and can lay claim to remixing Depeche Mode and Britney Spears. All of this experience bubbles to the surface on Hammers: the title track is a deep, rolling affair, populated by spiralling acid lines and hushed chord sequences, while on "Denergy", he opts for a more stripped back affair, as a menacing bass underpins complex, 303-laced rhythms. Rounding off the release is a sweeping, rolling take on the title track by Bristol artist Hodge.
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FBR 063
18 Jan 19
Techno
18 Jan 19
Techno
Review: Having previously impressed with 2012 releases on Wolf Music and Losing Suki, James Welsh continues his ascent towards deep house superstardom with a typically fluid and atmospheric EP for Futureboogie. "Craven" sets the tone, lacing a touchy-feely, tactile house groove with tough 808 cowbells and an intoxicating vocal sample. Regular collaborator Terri Walker makes an appearance on the shuffling, cymbal-heavy old skool garage jam "King Edward Street", while "Bill Murray Came To My House Party" largely lives up to its riotous title. "Horse Fight", with its minor key chords and sprightly synth bass, also hits the spot.
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FBR 015
10 Mar 12
Deep House
10 Mar 12
Deep House
