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John Tejada
Browse the latest digital releases by John Tejada
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PAL 086
19 Apr 24
Techno
19 Apr 24
Techno
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PAL 085S
01 Mar 24
Indie/Alternative
01 Mar 24
Indie/Alternative
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PAL 083
08 Dec 23
Techno
08 Dec 23
Techno
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PAL 076
03 Feb 23
Indie/Alternative
03 Feb 23
Indie/Alternative
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KOMPAKT 4281
15 Jan 21
Experimental/Electronic
15 Jan 21
Experimental/Electronic
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SUICIDE 112
05 Nov 21
Drum & Bass / Jungle
05 Nov 21
Drum & Bass / Jungle
Played by: Juno Recommends Minimal Tech
Review: American techno legend John Tejada released the Big City Music EP back in 2006, where "Asanebo" appeared as a B-side track. It has since become a favourite to underground heads over the years, and as a part of Poker Flat's 20 year celebrations, the Hamburg label taps Retreat main man Quarion for a properly low slung and dubby rework. This fine rendition makes perfect tackle for the afterhours, while complimenting the slinky and hypnotic qualities of the original version, which appears for your pleasure also.
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PFR 238
19 Feb 21
Minimal/Tech House
19 Feb 21
Minimal/Tech House
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121370
07 Oct 16
Minimal/Tech House
07 Oct 16
Minimal/Tech House
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PAL 067D
07 Oct 16
Deep House
07 Oct 16
Deep House
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DET 010
30 Sep 13
Minimal/Tech House
30 Sep 13
Minimal/Tech House
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PAL 64D
19 Aug 13
Minimal/Tech House
19 Aug 13
Minimal/Tech House
Played by: Henri Kohn, Juno Recommends Minimal Tech, Tocadisco, Resident Advisor, Heidi, Seth Troxler, Jules Etienne J.E.E.P., Marcus Morgan
Review: Mr. Tejada returns to Kompakt with a solid two-tracker and one which will undoubtedly be rinsed heavily this summer. The man is capable of creating some seriously enticing house grooves, never afraid of trying something new and incorporating more commercial tones together with strange, psychotic melodies. "Somewhere" lies between the vast terrain between house and electro, where its progressive drum patterns merge effortlessly with fuzzy electro basslines and flickering background melodies. "Elsewhere" meanwhile is a more lo-fi jam, where Tejada really shines through and shows us what he's good at: memorable house excursions packed with enough funk to have us all lost in a whirlpool of bouncy synths and gnarly percussion shots.
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KOMPAKT 264
10 Jun 13
Minimal/Tech House
10 Jun 13
Minimal/Tech House
Played by: Dj steef, Estroe, Shadow Dancer, Dirt Crew, Juno Recommends Minimal Tech, Axer Rouf, Marcus Marr, Sean Danke, Posthuman, Digitalworkx
Review: LA producer John Tejada has always been a consistent artist, but "Condition" is one of his most memorable releases in the past few years. Instead of focusing his efforts on intricate sound design, Tejada has decided this time to play solely to his greatest strength - his sense of melody. The title track is based on a purring melancholic bass that builds gently yet which contains a hint of menace, like "Snivilisation"-period Orbital in techno mode. However, it's "The Living Night" which really impresses: over a rolling yet more understated bass, its mournful, trancey hooks build and ebb in that effortless manner that only Tejada is capable of.
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KOMPAKT 227
02 May 11
Minimal/Tech House
02 May 11
Minimal/Tech House
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PALETTE 049
10 Dec 07
Minimal/Tech House
10 Dec 07
Minimal/Tech House
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PAL 032D
28 Oct 04
Minimal/Tech House
28 Oct 04
Minimal/Tech House
Review: 29 years since he made his debut, techno, deep house and ambient master John Tejada continues to deliver inspired music - much of it infused with plenty of machine soul and melodies to die for. This three-tracker for Kompakt is predictably impressive, with the Los Angeles-based veteran confidently striding between warm, hypnotic and jaunty tech-house haziness (the joyously rising and infectious 'Verior'), ultra-deep, saucer-eyed techno-tempo deep house (the blissful, unashamedly emotive 'Wild Ride') and glitchy, rolling, locked-in late-night excellence (the 'sunrise in Berlin' shuffle of 'Infinism'). In other words, it's another excellent EP from a producer who rarely puts a foot wrong.
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KOMPAKT 465
24 Mar 23
Deep House
24 Mar 23
Deep House
Review: We're only halfway through the year, yet it's been a prolific one thus far for Los Angeles-based techno legend John Tejada. Only a few months after his riveting long player Sleepwalker, he returns on his very own Palette Recordings with his latest effort titled Nocturama. The three track EP features the playful and upbeat title track led by its infectious melodic bassline, followed by the strobe-lit acid frenzy of "Wave Acid Sun" that will have you reaching for the lasers in no time. Finally, there's another evocative number in the form of "Hadal Zone" a sublime exploration in high tech soul.
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PAL 075
29 Jul 22
Minimal/Tech House
29 Jul 22
Minimal/Tech House
Review: "Ceol" is the Gaelic word for "music", and it's an apt name for a John Tejada release. Over the past 20 years, the LA resident has brought an individualistic, melodic flavour to techno and this record is no exception. The title track sees him bring together ringing bells and snappy percussion over a warm, squelchy bass. The addition of airy synths serves to further validate the name Tejada chose for the arrangement. "Prelude to Madness" sees him opt for a similar, albeit darker approach, as an elastic bass unravels against the backdrop of insistent hi hats and steely drums. However, Tejada never strays too far from melodic sounds and closing track "Aisling" is an understated affair, full of shiny hooks.
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KOMPAKT 376 D
29 Sep 17
Minimal/Tech House
29 Sep 17
Minimal/Tech House
Review: Described by Kompakt as "a somnambulistic two-tracker that delivers more bang for the buck", John Tejada returns to the Cologne label with a new single primed for the dancefloor. We Can Pretend shows the LA-based Tejada might be looking to apply the new found interest in modular synthesis shown on his 2012 LP The Predicting Machine to the muscular techno he's founded his reputation on. Taking the form of two vocal tracks, one featuring former collaborator Kimi Recor and the other Morgan Alexander, the abiding feeling you get from the title track is 'perhaps this is what James Holden and John Talabot collaborating would sound like?'. There's a subtle poppishness to "We Can Pretend" that doesn't detract from the masterful sequencing, whilst "Now We're Here" is Tejada in classicist pumping US house mode.
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KOMPAKT 286
27 Jan 14
Minimal/Tech House
27 Jan 14
Minimal/Tech House
