Review: Gesloten Cirkel's opening salvo on Moustache Techno is a hard act to follow, but Du Mosch does a good job here. Like the first release on the label, diversity is the key. The first untitled cut is a slamming, grainy techno rhythm, like a European update of early Mike Dunn or Steve Poindexter Chicago techno. The second cut is deeper and more groovy as an insistent bassline provides the basis for a rolling disco techno arrangement, while Du Mosch revisits his familiar Italo approach on the third and final track, the synths soaring to a melodic and wonderfully epic crescendo.
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