Review: There's a steady flow of quality grooves coming out of the Sound Exhibitions stable right now, with this three-tracker from Italy's Vito Lalinga being but one case in point. High-calibre contemporary funk is the general order of the day, with 'Your Love' being a rumbustious affair laden with brass, soaring sax and diva-esque "something about your love" vox, while 'Route 66' is a slower-moving jam with super-sleazy guitars, wailing harmonica and (by way of contrast) positively bright and summery keys. Completing the EP is 'No Baby', a classy slice of disco-funk with a gorgeous, reverb-heavy female vocal.
Review: Vito Lalinga delivers his third record to 2020 already with this four-track EP for Greek label Kraak. It was 2018 when Lalinga made his debut on Kraak's parent label Timewarp and since then the artist has given his jazzier, soulful and percussive take on music to labels like Legofunk and Sound Exhibitions. For Kraak he sends in Black Spirit Planet, a record that dives into funky and ambient jazz territory that reach their peak in lead track "Spiritual Space" alongside the flute and samba sessions of "Brazilectro", the rhode and strings driven "Walk My Way", and the mellow tribalisms of "No Future".
Review: Prolific Italian producer Vito Lalinga brings us a musical tribute to The Big Apple here. In its Original form, 'New York City' opens with a fluttering acoustic guitar riff and a spoken, heavily accented female vocal, before introducing a second, sung vocal that's then cut up over a backing which blends disco, jazz-funk and garage influences into an irresistibly shimmering dancefloor concoction. The Dancefloor Remix ups the tempo slightly and adds house-y pianos and sax parps; the Squerzanti Silvan beefs things up another notch or two, while the EP's completed by the western-infused 'Beat' with its harmonica wails and Spanish-language vox.
Review: Prolific Italian producer returns to Sound Exhibitions with four more dancefloor despatches - this time, as the title suggests, with strong jazzual overtones. Opener 'What's Up' is a looping, lolloping groove made up of funk guitars, trumpets, male and female rap vocals and two competing nagging keyboard riffs, while 'Black Sunshine' gets properly wigged-out in late 70s jazz-funk style. 'I Want You' operates in similar territory but is just a little more laidback, while completing the EP is 'Alone Again', a downtempo jam with a melancholy, cinematic feel. All good, but for 'does what it says on the tin' satisfaction the middle two tracks stand out.
Review: Synth-wielding nu-disco maestro Vito Lalinga fires up his VI Mode Inc Project for another expansive outing on Sound Exhibitions. It's a wonderfully summery and sun-kissed affair, with the experienced producer first offering up a chunk of bass-heavy Latin disco (the glistening guitar solos, beefy bass guitar and jaunty pianos of "Santiago De Cuba") before doffing his cap to Cuban salsa and mabo heroes on the flute-laden "Cubano". He continues on this rum-fuelled tip on sax-sporting roller "Cuban Tape", while "Louisiana Paradise City" is a bluesy and jazzy chunk of thickset late night drama. Finally, "Fiesta Latina" delivers on the promise of its title in weighty fashion.
Review: When an EP's entitled 'Retro Funk' you kinda know what you're getting, but what's really impressive about this five-track EP is the range of ground covered within just five tracks. Opener 'Silverdory' has distinct echoes of both Fatback and The Average White Band. 'Believe In Me' has a slightly jazzier feel, with the saxophone taking centre stage, while 'Come & Touch' looks to the deep funk of the late 60s for inspiration. Shut your eyes and 'Give Up The Funk' will have you mentally cruising 70s Harlem in your stretch Lincoln, before the brassy, soul-infused 'Betty Day' plays us out.
Review: Italian producer Vito Lalinga presents his debut EP on Greek label Timewarp, bringing five hot tracks on his fresh Afrodisiac EP. Your fix of nu-funk, combined with broken beats and a touch of African vibes - as heard on the spiritual and life affirming "Fela Mania". Likewise, "Move Your Body In Africa" features a cinematic touch with a soulful style that Vito Lalinga always brings. This is a collaboration with his mates Angelo Dattuomo and Giancarlo Coppola as Vi Mode Inc. Project and we sure can't wait to hear what is in store next from this hot trio.
Review: Vito Lalinga, the mastermind behind Vi Mode Inc. Project, drops Storm featuring six tracks that blend a variety of musical styles, including tropical, Afro, funk, downtempo, and jazz. The album weaves together African and Latin American elements with western instrumentation, creating an authentic and innovative sound. With memorable melodies and percussive rhythms on every track, the organic quality of the release shines through, and the warm brass sections stand out as a highlight. Lalinga's ability to blend musical styles shines through, resulting in a unique and captivating release.
Review: A cool cat within the ranks of Sound Exhibitions, and known cohort with other labels like Kraak, Timewarp and Legofunk - Vito Lalinga returns as Vi Mode Inc Project! Music for some sweltering nights of funk to come, Lalinga throws down something hot and heavy, chunky and groovy in "No Money", followed by a stripped back yet beefy and effervescent jazz cafe number, "This World". With some howling midnight lounge funk in "Passion Train", Lalinga loops his guitar riffs with extra summertime guitars and a steady groove holding it down in "Party Love." With a golden sound of '90s jazz motifs, as if lifted from Miami beach marinas or the inner city's hidden swing clubs, horns blaze with fanfare in "Passion Train" next to the big band jams, broken beats and extravagant solo instrumentals of "Freestyle".
Review: Don't be fooled by the title here. While there's definitely a strong African influence to the six tracks featured on this EP from Greece's Timewarp, you don't need to be a lover of complex polyrhythms or breathy, chanted vox to appreciate them. Instead, ever-prolific Italian producer Lalinga looks to African funk and jazz of the 1970s for inspiration. 'Nasty Shit' comes at the sound from a hip-hop perspective and 'Rebellie' is the EP's most overtly house-leaning cut, while 'Afrikaanse Waansin' is the most traditional-sounding, but all six will work well on the floor and will have particular appeal for the breakers and jazz dancers.
Review: Ever-prolific Italian Laligna serves up six cuts here that are heavily sample-based but probably still more fairly described as new productions rather than re-edits, especially as he's eschewed any obvious sample choices. The EP opens with the jazzy Blaxploitation flavas of 'On My Soul' and closes with the moody 'Family Funk', which has a smoky, late-night air, while in-between you'll find four more tracks that capture that 70s funk/soul vibe perfectly, from the rock geetar squall on 'Buddy Show' to the barrio funk feel of 'Take To The Top' and the honky-tonk boogie of 'Feel The Blues'.
Review: Vi Mode Inc Project main man Vito Lalinga doesn't like to get tied down musically. In the last six months alone he's released expansive EPs that variously touch on Cuban music, fiery funk breaks, nu-jazz and disco. It's the latter sound that he returns to on this sequel to summer 2018's "Black Spirit Project". There's plenty to get the juices flowing throughout, from the jazz-funk tinged warmth of opener "Attack On Earth" and Clavinet-sporting "Ethnic Deep" (a mid-tempo fusion of reggae and disco with plenty of other World music references), to the harmonica-heavy swamp funk chug of "Blues In The Sky" and Chic-influenced bounce of "The Right Time".
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