Review: Over the last few years, the 3000 Bass team have been working tirelessly to showcase the latest bass and garage music across the full spectrum of labels and producers currently working within the scene. This four track unveiling from Blanks is one that is going to set the rave alight as which kick start with the pure euphoria of 'Like This', combining emotive top lines with sharp synth licks for a lively introduction. From here, 'Myself' explores more quirky rhythmic switches, again topped by lethal synth action, next to the grizzly sound design and sharpened drum slaps of 'Never Meant To Be'. Finally, 'Sorry' gives us a fire-fueled outro, giving those synth sounds one final spin with a serious impact, rounding off the EP with a final dash of colour.
Review: It's been a very solid year for the team over at the 3000 Network, who alongside controlling multiple avenues for releasing dance music, have established threethousand.co.uk as one of the leading news and premiere platforms for bass music in the UK. This latest compilation sees them return to the 3000 Digital arm of the network to unveil 10 dancefloor stormers, including potent, heavy hitting originals from the likes of Sheppy, Teotek, Ghstghstghst, Nada Deva, KusKa and more. For us, highlights have to include the super catchy vocal swings and hard hitting bass instrumentation of BTW's 'What We Had', along with the high pressure bass designs of 'Pull Up', from Spacegat and MPH.
Review: We are absolutely loving what the team at 3000 have been doing recently, from a wicked run of releases through their two lead pages in 3000 Bass and 3000 Deep, to their highly active blog based website and fantastic record label, the latest release of which we have for you today. This compilation consists of eight futuristic creations, featuring some high profile names such as Kissa & Jaikea, Lalzin, Nekst and more. Our favourites off the cuff for this project have to include Motiv's wicked collaboration with Dread MC, taking classic Dread adlibs and vocal lines and fusing them with party starting synths. We also love 'Danger' from DN10, a perfect tune for the dance!
Review: Menace to society, menace to the dancefloor: Hungarian bass welder Sirmo proves the knighthood in his name once again with two more funk-minded floor-focussed cuts where the springiest of basslines are out to play. The title track fuses with a series of classic breaks before dropping into a Night Bass style low end strut while "Fearsome" bumps and sways with an almost Dirtybird style funk thanks to the downpitched vocal hook.
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