Guided By The Force Of Compassion - (5:48) 119 BPM
Protection Had To Be Given - (6:35) 129 BPM
This Is All I Could Do - (6:17) 126 BPM
My Ice Baby - (5:09) 123 BPM
Review: It certainly has been Michael Wollenhaupt's year. Since going solo with the Ancient Methods project without Conrad Protzmann, collaborating with Regis as Ugandan Methods and remixing everyone from Powell to Bourbonese Qualk; he's more active than ever and the music speaks for itself. For his latest release on the Hands imprint, Wollenhaupt unleashes more of his epic war techno which collides head on with gothic, industrial and extreme metal aesthetics. "Guided By The Force Of Compassion" has all the hallmarks of his sound: buzzing, distorted melodies, pounding tribal beats and doom-laden atmospherics. "Protection Had To Be Given" and "This All I Could Do" are similar to his Pogo Im Saurebad/Korpersaure '91 remixes for Powell with their oddball compositions stuttering and crashing about the place before some demonic synth roars, executed amazingly well. Finally "My Ice Baby" takes things down a notch but comes across even more sinister as it glitches and scrapes back and forth, dancing in its own filth and static, accompanied by a disturbing, pitch shifted
Review: Richard Oddie and Christina Sealey have been making music together for the best part of two decades, but despite having 10 albums to their credit, it is only in the last two years that the techno community became aware of Orphx's magic. The reason for this is a series of EPs issued on Adam X's Sonic Groove label that consisted of hypnotically dark, menacingly understated grooves. More club-focused than their previous works, Black Light and Traces in particular were inspired meetings of the duo's abstract textures and an adherence to repetition that flowed with a uniquely addictive viscosity. So does their latest album make the leap into the techno sphere? In many ways, Radiotherapy embodies what every techno album should strive for: rather than delivering a series of dance floor bangers, it sees Orphx focus on stepping rhythms, less direct than the Sonic Groove releases. But more importantly, it's the duo's exploration of texture that really impresses. "Compulsion" is a case in point; based on shuffling 808 drums, the visceral bass and eerie bleeps allow Orphx to provide their own take on old school electro. With so many techno producers trying their hand at abstract sounds, it is ironic that one of the year's best techno albums should come from industrial veterans.
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