If there’s a label to define the augmented reality of future music it’s Hyperboloid. Co-founded somewhere in Russia by Pixelord and Dmitry Gari, the label finds itself in a class of its own pushing a neo-aesthetic of wild, extravagant and largely undocumentaed genres like breakcore, tech trance, bassline and computer synth. Add colourful shows of sound collage, experimental drum and bass, footwork and juke to retro-active techno, deconstructed IDM and other future music interpretations of leftfield, industrial and pop, Hyperboloid is a soundworld waiting to be discovered. Spearheaded by Pixelord’s own productions, Hyperboloid harbours an exciting new school of producers that includes Summer Of Haze, Cadeu, Gillepsy and whoever else you can find.
Review: As far as we can see, the team at Hyperboloid have really unearthed a diamond of a project with this one as they welcome Raumskaya in for an extremely tasty creation, as he unveils his spectacular 'Eco' album. As a project, this is a perfect showcasing of the exploration into electronic music and just how good the weird and wonderful can be. From the emotive yet thumping designs of 'Flame Threshold' and 'Melt Me' to the stunning soundscape work of 'Int' and 'Pristine', it covers so many themes and ticks so many boxes. For us, the standouts include the bubbling rhythms and spacey textures of the title track 'Eco', alongside the haunted pulsing stabs of 'None'. It's a top quality project to say the least!
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