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MHG 014
24 Sep 21
24 Sep 21
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MNDIVEIN 415
22 Mar 23
22 Mar 23
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MNDIVEIN 513
08 Jun 23
08 Jun 23
Review: The Aqualung Series division of Holland's Clone Records has been at the top of the reissuing game in the last few years, dropping bomb after bomb by the likes of Drexciya and the rest of the mythical electro mandem. Paranormale Aktivitat is something a little more recent, however; it was originally released on Rephlex back in 2011 and it's made up of the combined talents of Drexciya's own Heinrich Mueller, Susana Correia, Penelope Martin, and Beta Evers. Deep, sullen electro would be the best way to encapsulate its murky stratosphere, but the album goes way beyond the normal confines of the genre and frequently heads into the utter unknown, the underbelly of experimental dance music. The air is thick and the sounds are tenebrous, so tread lightly but be sure to know that it's an unmissable and timeless album for those who embrace the darkness...
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CAL 007
30 Sep 16
30 Sep 16
Review: The sublime Important imprint has done it again here with another blast from the undiscovered past. Zurich was a test project by various different artists during the '80s and '90s, including a member of Warp act Seefeel. As you'd expect, there's a little bit of everything in here as far as styles and influences go, but it's all pretty cutting-edge nevertheless. Tracks like "Tzarist" or "Odessa" sound fresher than ever, recalling the sounds of luminaries such as AFX or Autechre, to name a few. Unmissable stuff.
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IMPREC 224DI
28 Oct 14
28 Oct 14
Review: Lee Gamble's UIQ imprint got off to a promising start last year with the Wrong Headspace 12" from Latvian artist N1L. Gamble's purview for the label is clearly international as this second UIQ release dips into the world of Zuli, aka Ahmed El Ghazoly, Egyptian multi-instrumentalist, producer and DJ based in Cairo. Limited to 400 copies. Jagged beat experiments merge with high definition sound design plus classic and exotic instrumentation on "Robotic Handshakes in 4D", it's an apt title, really. New frontiers in bass music are explored on "131001G", texturised minimal techno on "Ahmed?" and rather abrasive bass assisted noise experiments like on final track "Dr Beckett". What next for UIQ? Consider us intrigued.
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UIQ 002
12 Feb 16
12 Feb 16
