Review: During lockdown, when strutting your stuff on the dancefloor remained a pipe dream, many producers naturally gravitated towards more downtempo sounds during their studio sessions. Jamie Odell AKA Jimpster, who of course first rose to prominence in the late '90s as a producer of laid-back beats and jazzy instrumentals, was one of those producers. The resultant LP, Birdhouse - his seventh in total - is naturally brilliant, with Odell showcasing the quality of his musicianship (and song writing skills) on a range of warming, comforting and undeniably luscious tracks that variously join the dots between trip-hop, neo soul, nu-jazz, ambient and blunted beats. Throw in some superb guest vocals (from both singers and rappers) and you have a near perfect collection of sofa-ready sounds.
Review: Freerange co-founder Jamie 'Jimpster' Odell recently reached a significant musical milestone, namely the passing of 25 years since the release of his first record. To mark the occasions, he's been releasing a series of retrospective compilations. This is the third and, like its predecessors, is packed to the rafters with career highlights. For the most part the set focuses on the more downtempo end of Odell's output, flitting between evocative nu-jazz ('Bad Hair Blues', the ultra-dreamy lusciousness of 'Maiden Voyage'), squelchy electronica ('Makin' Weird'), jazz-funk-fired broken beat ('Standing Wave'), bruk/hip-house fusion (Capitol A collaboration 'Left & Right') and slow-motion soundscapes ('Fluorescent Blue'), with only occasional forays into deep house. In a word: superb!
Review: Having spent much of 2016 focusing on the 20th anniversary of his impressive Freerange label, Jamie "Jimpster" Odell returns with his long-awaited sixth full-length, his first album since 2013's much admired Porchlight & Rocking Chairs. As you might expect, Silent Stars is a musically expansive affair, with the producer's usual floor-friendly deep house workouts being accompanied by tracks that pay homage to starry jazz-funk (brilliant opener "Migrations"), synthesizer-heavy new age ambient (the wonderful "Sylvanshine"), loose and languid Balearica (Jinadau collaboration "The Sun Comes Up"), Floating Points Ensemble style jazz ("Tau Tona"), modern soul ("Everytime") and even a touch of Osunlade style tribal bounce ("Silent Stars"). In other words, it's superb.
Review: Wazi Wazi is usually the label on which we hear Nils Penner's productions, but the dude has also released on Freerange before, and he comes through on the label with a handsomely hand-picked compilation of the label's best from recent months. On the beautifully presented thirteen-tracker you'll find a selection of different forms of house, ranging from the deeper territories to more jacking and pumped up house cuts. The highlights include "My Man" by Lovebirds, Detroit Swindle's "Brother Man", and label head Jimpster with "Distant Light". You also get a continuous mix for good measure. Get in there.
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