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Juju & Jordash
Browse the latest digital releases by Juju & Jordash
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SLACKTRAX 02
03 Apr 19
Techno
03 Apr 19
Techno
Various
Played by: DeWalta
Review: A true staple of the Amsterdam scene, the Rush Hour affiliated Yuri Boselie aka Cinnaman takes up the reins for local institution Dekmantel's extended tenth birthday celebrations with this mastermix. It takes in the entirety of the 10 volume edition - what an effort. What may seem as an outrageous challenge - what with the compilation's genre diversity and wide rage of tempos - it's a success, for they've certainly found the right candidate. Cinnaman plays a wide range of styles anyway, and is never afraid to mix the known with the unknown - he has a reputation for his remarkable combinations and transitions. From moments of sublime ambience (Italian ambient legend Gigi Masin with the utterly evocative "Maja") to bass heavy electro bounce (courtesy of Egyptian Lover or Syracuse & Epsilove), right through to techno bangers of the cerebral variety (by Donato Dozzy & Peter Van Hoesen or local hero Talismann) and stuff by Bufiman or Tony Allen - it's a solid effort here by one of Holland's finest selectors.
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DKMNTL 10YEARSCOLLECTION
14 Sep 18
Techno
14 Sep 18
Techno
Review: Juju & Jordash have a deeply experimental, abstract aesthetic - audible on their album releases - but Slack Trax Vol 1 is not such a moment. Instead, the pair focus on the dance floor with devastating effects."Bellboy Slack" resounds to muffled drums and loose percussion as dreamy synths swirl away in the background. "SpaceTG Slack" is more stripped back and lacks a musical element, but its wiry rhythm, spaced out pads and smart break downs more than compensate. Finally, "Cherry Slack" sees the duo head deeper underground with acid squiggles, haunting synths and rickety drums coming together to create an esoteric but accessible sound.
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SLACKTRAX 01
01 Jul 18
Techno
01 Jul 18
Techno
Review: There must be something in the water near Juju & Jordash's studio, because they have never made a bad or even average record. Sis-boom-bah! is their fourth studio album and serves to reinforce how consistent they are. Irrespective of whether they are laying down noodle jazz workouts like the wonderful "Herkie" or off centre house grooves - check the vocal sampling, funk bass of "Rah Rah" - the pair's jams are delivered with effortless brilliance. There are dance floor tracks of sorts included here as well, particularly the lean groove of "Back Tuck Basket Toss" and the dubbed out drums of "Deadman", but like all their best work, this album's strength lies in its sprawling, freeform approach to electronic music.
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DKMNTL 052
09 Oct 17
Techno
09 Oct 17
Techno
Various
Review: Originally released in 2015 on wax but now finally available on digital, Future Times expanded the sound and vision of the label with part three in their compilation series. It's an all star cast on here, with the compilation opening with the dynamic killer "Junk Funk" by DC newcomer OV then Israel's finest Juju & Jordash with "Soggy Bottom" next where they get their hypnotic piano throb on. Label boss Max D's "Octopus" follows with an improvised, kinetic bang. Elsewhere label stalwarts Beautiful Swimmers serve up "Primo", a thick chunk of industrial pop for the freaks and of course BRSTL boss Shanti Celeste and her monster cut "Strung Up", a savage tune for the deejays that mixes a bit of her home town with classic electro.
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FT 030
02 Jun 17
Deep House
02 Jun 17
Deep House
Played by: Ellen Allien
Review: Given their frequent habit of charging off in different musical directions, predicting the contents of a new Juju & Jordash record is getting increasingly difficult. Down To The Roach, their latest release for regular home Dekmantel, is typically wide-ranging, variously exploring bouncy fusions of techno futurism and whimsical deep house (the title track and its' accompanying dub), new age-influenced dream house (the bizarrely titled "Bean Bag Motel"), and spiraling, synthesizer-heavy house/electronic disco hybrids (the stargazing goodness of "Lights at Night"). It goes without saying that all four tracks are imaginative, immaculately produced, and hugely enjoyable. Excellent work all round.
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DKMNTL 026
29 Jun 15
Deep House
29 Jun 15
Deep House
