Review: It's usually good news when a new Project Allout EP lands in the store, with this latest three-track display from Manny Mashup & Mudz seeing the label return to their bassline-inspired roots. Right from the jump we are doused in old-school niche flavour as the numerous bass synths and skippy drum designs of 'Blast Off' give us an explosive intro, followed by the more abstract bass warbles and crunchy drum sounds of 'Hiya Riddim', which takes a pretty memorable sample and switches it on its head. Finally, the energy levels hit their peak on 'Yoshi's Demise', which again draws influence from the original niche sound to give us a fiery final punch.
Review: Following on from a number of recent successes with the releases they have been pulling together, Project Allout return once again with a rave ready care package, this time welcoming Mudz inside for five tracks of 4x4 fire. We begin with the title number: 'Rage & Rave', a shimmering niche skanker, packed with original bassline energy, leading into the much more grimey soundscapes of 'Captain Raveman'. From here, the swampy bass tones of 'Output' are let loose, before the more high pitched synth riffs of 'Back With A Bang' deliver some original dancefloor energy. We then round off with the metallic synthesizer slides of 'Bark Riddim', which puts the touches on yet another explosive drop from the PAR family.
Review: The Project Allout team have continuously supplied us with top quality bass music for as long as we can remember, so to see them still operating at the highest echelon is incredibly pleasing. They do the business with this next release as they unveil the first edition of their brand new 'Wobblers' compilation series, focussed on showcasing the most lively 4x4 bassline music out there right now. An impressive roster has been assembled for this one, including legendary names such as Killjoy, Palize, J69 and more, with a host of newer bassline talent decorating the tracklisting from start to finish. The outright power and nostalgic synth work of 'The Abyss' from Liam B Line is an immediate standout, alongside the pleasing, more high ended wobbling synthesizer work of 'Shut Up' from Weekz. Wicked job!
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