Review: Following on from the re-release of his debut album, The Electric Funk Machine as Planetary Assault Systems, Luke Slater releases the first new material under the project's name since 2017. As always, Straight Shooting is a mesmerising affair: "Beam Riders" kicks off the release with a pulsating, driving groove, while on "Born Anchors", the storied UK artist delivers a pile-driving rhythm that resounds to ticking, clicking percussion. "Humans Use Concrete" sees Slater revert to the 90s sound of Planetary Assault Systems, featuring a dense, looped arrangement, while "Engage Now" is a gargantuan roller that plays out against a backdrop of layered noise and insane frequency shifts.
Review: UK don Luke Slater returns with the fourth instalment of Deep Heet. The last edition released in 2012 on his esteemed Mote Evolver imprint is recognised by those that know as some of the most reliable techno tools in recent years: who can forget the sinister hypnotism of "Flat Tire": what a classic! You can bet there's yet more austere and ergonomic tracks for serious DJ use on offer here. Starting off with the driving and cyclical grunt of "Desert Races", then the tunnelling and trance inducing bell melody of "Life Rhythm". Then the full throttle intergalactic charge of Random Kingdom and the dystopian minimalism of "Lazer Organical" which would make even Mike Parker stand up and notice! Slater is still without doubt one of the most singular talents in techno, respect!
Review: British techno stalwart Luke Slater is now two decades into his ongoing Planetary Assault Systems adventures. To celebrate, he's handed over tracks recorded over the last 20 years to a hand picked group of remixers. It's a faultlessly floor-focused affair, with Lucy, Steve Bicknell, Function and Slam - whose acid-fired re-make of "Temporary Suspension" is an album highlight - all delivering typically no-nonsense interpretations of Slater's tracks. The producer himself delivers a handful of 'live edits' - versions created for his live shows - while Detroit legends Octave One smother "Booster" in classic Motor City melodies and the most positive of synthesizer refrains.
Review: While Luke Slater is busy as always, his Planetary Assault Systems output has slowed since the release of the all conquering Messenger LP for Ostgut Ton in 2011. For Future Modular, Slater is less visceral and more arpeggiated than previous releases, harking back to a '90s-early-2000s PAS-sound, specifically the title-track. On the B-sides there's the deep, trippy and linear "Serc", but before that there's a sinister "Riot In Silo" that's showered in 909-hi-hats to get through first.
Review: After the recent announcement of a forthcoming L.B Dub Corp album, Luke Slater's other alias, Planetary Assault Systems, provides its first transmission of 2013. Fans of "Bell Blocker" from PAS' stellar The Messenger album from 2011 will instantly warm to the cold chimes of "No Exit", while pink noise cushions the brooding, pitch-dark groove of "Undertow". Slater then introduces agitated mind games on the EPs inner B-side with "Nanendi", which sounds like a school of crickets trapped in a haunted cathedral of distant Gregorian chant.
Review: If you were to find yourself late one Sunday afternoon jostling for position in a reconditioned power station, surrounded by ubermensch males, it's likely you're in Deep Heet. Techno music doesn't get much more self explanatory than this. "Voltan" is the most club-indulgent of the four track EP. A wall of undulating PAS noise shifts in and around a thrumming bassline. and the only audible deviation of instrumentation comes via pattering snares. Pent tensions encircle "Pygar" which gradually cools, as Slater reduces the track back to its original framework. "Turn" sheds the low end and fizzle of the aforementioned tracks, focusing on hypnotic and bleeping loops and disturbing Hitchcock-like insignia, while Slater reintroduces his fearsome hiss on "Flat Tire" with gargantuan war horns.
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