Review: As its title suggests, the latest compilation on Bpitch gives vent to the label's deeper side. It begins with Chaim's "Rain", where jazzy textures bubble to the surface over dubby beats. The track has an ethereal, almost subdued feeling to it and is in stark contrast to the raucous minimalism that Bpitch is sometimes associated with. This understated approach isn't confined to Chaim's contribution however; even more dance floor tracks like the pumping bass of Cormac's "The Present" are teeming with emotive undercurrents and Kassem Mosse's version of Ellen Alien's "Our Utopie" sees a series of chiming bells prevail over a pumping groove.
Review: Listening to this compilation, it's clear that 2013 was a banner year for Ellen Allien's label. No longer so focused on stripped back techno - although the hissing noise and dark bass tones of Camea's "Black Sparrow" provide some connection to Bpitch's back catalogue - Best Of focuses on the area where pop and electronic music meet. The tumbling drums and plaintive vocals on Eating Snow's "Siamese Twins By Choice" could be early period Sting (that's a compliment by the way), while Dillon's "This Silence Kills" is a beautifully fragile serving of ethereal electronic pop. Bpitch can still rock the house when required, as the nasty acid of Snuff Crew's "Bass" demonstrates, but the real highlights of Best of 2013 are the label's leftfield excursions.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.