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Pixelord

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Pixelord

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Double Jump
Double Jump - (2:21) 134 BPM
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HYPR 106S1
03 Nov 23
Electro
Hyperboloid 2023
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HYPR 100
17 Jan 23
Bass
Piece Of It
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FUSE 015
10 Nov 22
Experimental/Electronic
JAM#7 Shanson
JAM#7 Shanson - (3:00) 125 BPM
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361684 9662285
29 Jul 22
Electro House
JAM#8 Sunstroke
JAM#8 Sunstroke - (3:24) 70 BPM
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361684 9662322
29 Jul 22
Balearic/Downtempo
JAM#6 All Body
JAM#6 All Body - (3:49) 120 BPM
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3616848 513939
24 Jun 22
Balearic/Downtempo
JAM#5 Neural
JAM#5 Neural - (3:18) 93 BPM
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3616848 514851
24 Jun 22
Balearic/Downtempo
JAM#4 Brain Wants To Dance
JAM#4 Brain Wants To Dance - (4:12) 90 BPM
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361684 7819995
03 Jun 22
Balearic/Downtempo
JAM#3 Star Dust
JAM#3 Star Dust - (3:25) 125 BPM
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361684 7819896
03 Jun 22
Balearic/Downtempo
JAM#1 Yetty's Dream
JAM#1 Yetty's Dream - (4:24) 58 BPM
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3616846 752583
29 Apr 22
Experimental/Electronic
JAM#2 Truck Turner
JAM#2 Truck Turner - (4:39) 65 BPM
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3616846 752620
29 Apr 22
Experimental/Electronic
99%
Review: Inspired by the countless failed downloads from platforms like Napster and Limewire back in the day, Pixelord's 99% channels a nostalgia for classic IDM, breakbeat and trance music of the time. Operating as some kind of new school Aphex Twin for the digital native, Pixelord exhumes, cross dresses and redefines a myriad of genres from the cut up French electro of "Kamon", trance-like drum and bass in "Tron" to the crystallising strings of "Get Up". Certainly a schooled producer, Pixelord captures a vibe of the decade in "90s" alongside a more contemporary and beatless sound in "Hashtag" to new school EDM, breaks and rave in "Gene". An explosion of sound, 100%.
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HYPR 099
14 May 21
Bass
Demonslayer
Review: Russian producer Pixelord returns to Hamburg's Saturate! label after first appearing on a split release with Mad Decent character heRobust back in 2012. That was for STRT003 and eight years later in 2020 Pixelord finds his newest release catalogued at STRTEP082! It presents the artist's second release for the year following a limited cassette release with Sangam, and for this solo EP Saturate! brings with it remixes from Planet Mu's Starkey, Run Rad's DRANQ, and the mysteriously affiliated DJs Ride and Pound. Pixelord himself, though, turns five digital distortions of bass, glitch and neo-deconstructed industrial sonics, with a specific and unique power synth laced throughout this latest Saturate! edition. Find it appearing like a bad WIFI connection in "BFG" or as call and response to the bassline in "Pain Elemental". Furthermore, see it tearing across the sweet melodies and bit graded chip tunes of "Bonus Stage" to its role as a counterpart to the effervescent trance synths in "Doomguy". Wild style in "Demonslayer" no doubt too. Beware.
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STRTEP 082
08 Sep 20
Bass
Aegis
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INAU 067
01 Aug 20
Experimental/Electronic
ISO
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HYPR ISO
05 May 20
Bass
City High Fantasy
Review: Pixelord and the mysterious Sangam combine for a final fantasia of sounds in this four-track City High Fantasy EP that pulls at the heartstrings of deepest anime themes to Blade Runner atmospheres of tears in the rain. Overtly in "Process Cold" and deeply embedded in the synths and field recordings of "Opacity", these two sit between the liquid industrialisms, chemical rhythms, glitch and cosmic Detroit electro of "Weathered Eternity" and the two-stepping, bleeps and breaks of "City High Fantasy". Believe the Hyperboloid.
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HYPR 081
27 Mar 20
Bass
Hyperboloid 2020
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HYPR 080
03 Jan 20
Bass
Chrome Tears 2019
Chrome Tears 2019 - (4:08) 120 BPM
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HYPR 043S
06 Nov 19
Bass
Modularfield Patterns
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MDFCD 04
01 Jul 19
Experimental/Electronic
FAQ
FAQ - (4:12) 93 BPM
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HYPRFAQ
13 Oct 18
Techno
Proficiency Bonus
Various
Played by: Hypho
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MANA 005
26 Jun 18
Bass
Shinne
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HYPR 57
28 Jan 18
Bass
Kudatah Vol 2
 from $1.89
KDTH 007
31 Mar 17
Experimental/Electronic
Near Field Region 001
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RENRAKU 014
07 Feb 17
Dirty Dubstep/Trap/Grime
Human.exe
Review: Alexey Devyanin has given us all sorts of magnetism since his first productions began to appear in a distant and foggy 2010. He's lived the entire post-dubstep era from its early days through to its present state, and that journey has taken him across labels like Car Crash Set, Berlin's Leisure System, Infinite Machine, Tuff Wax, and his own Hyperboloid. His new album, Human.exe, lands on the latter and it's an extensive piece of work spanning all corners of the bass spectrum. There isn't a single tune on here that remains linear throughout and, instead, Pixelord uses a wide diversity of sonics and beat tactics to produce his mechanical strain of bass-heavy dance music. This is what 'bass' is all about at the end of the day; a vast and bottomless pit of sounds put together under one hybrid groove. For fans of Actress, Hessle, and anything on Hyperdub.
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HYPR 044LP
23 Sep 16
Bass
Robo
Robo - (3:08) 150 BPM
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191018 019686
09 Aug 16
Bass
Cyberghetto
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HYPR 040
30 Nov 15
Bass
CYBERGHETTO
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HYPR 040
30 Nov 15
Bass
Puzzles
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CCS 2047
30 Sep 15
Dirty Dubstep/Trap/Grime
Bass And Superstructure: Shifting Peaks 2010-2015
Various
Review: Well, the UK's Shifting Peaks have really gone and done it with this latest leviathan of a compilation, an anthology of their best and most wanted from 2010 until now. Inside, there's talent and plenty of club antics bouncing off the wall left, right and centre; with over fifty cuts there's enough to go around and satisfy a whole artillery of bass-heads. Some of the stand-outs for us are Tessela's "Yes You Can", Hackman's "Always", "Put You Down" by Odessa, and OM Unit's remix of "Reach Out" by Nphonix. What a belter,
go forth and indulge!
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SPEAKS 023
27 Jul 15
Bass
Choice Cuts 4
Review: It's time for Slit Jockey's annual Choice Cuts compendium. A lot has changed since their last collection: The US/UK neo-grime feedback loop has never been louder, and neither has Slit Jockey's relevance and influence. Highlights of this inherently futuristic bass exploration can be found on every track; from the sudden bliss twist of Starkey's "Trigger" to Shiftee's swampy, super-prang audio head-butt "Geek Flex" via the dungeonesque bubbles and blips of Korostyle's "Kalika" and TIMBS' emotional flute-snapping funeral trap vibe "Rivers", this is, without question, Slit Jockey's most exciting and all-encompassing curation to date. Not to be missed.
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66228
19 Jan 15
Dirty Dubstep/Trap/Grime
Drinky
Review: The one like Pixelord comes through in full effect with a nasty, thumping VIP mix of his previously released ripper "Drinky". It's a slow-tempo, bass pile-driver with some delicious synth work and Gillespy's remix is even nuttier - rimshots, snares, the lot. Highly recommended.
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SPEAKS 017
10 Mar 14
Bass
Moosebumps
Review: Infinite Machine snap up the talents of two steadily emerging artists immersed in the tos and fros of contemporary bass music, resulting in the Moosebumps record and celebrating all things hybrid and indefinable. Russia's Pixelord looms large on the release with his canny use of RnB vocals in unusual contexts, not to mention his wielding of texture and sound design to create an interesting depth of field in his downtempo constructions. Zack Christ is more overtly avant-garde in his approach, not least on the gloriously crumbly "Tungo" which seems hell bent on squashing any whisper of groove into an experimental mess. Bringing fresh approaches to a sound that is widely represented at present, Pixelord and Zack Christ have proven their worth more than most with this EP.
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IM 016
25 Feb 13
Bass
Supaplex
Review: Experimental Muscovite Alexey Devyanin is better know for his recordings under his Gultskra Artikler persona - recently however he launched this new project that focuses on beats. "Been Lookin" is all digital riddims, urgent keys and bleepy 8 bit noises. "Freeze the Star" has a Q-Tip sample slowed down over industrial-hop beats. Starting slow with dizzyingly high-pitch vocals, "Paperball" soon accelerate to maniacal juke speeds and finally "Vibrate" rounds things up with glitch-hop weirdness coupled with hip-hop chants.
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CIV 039D
17 Sep 12
Footwork/Juke
Keramika
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HNH 005
20 Feb 12
Dirty Dubstep/Trap/Grime
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