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Good Street

Browse the latest digital releases on Good Street
Stay Safe
Good Morning - (5:40) 80 BPM
Hum - (4:46) 81 BPM
Distances - (4:48) 80 BPM
Follow - (4:04) 80 BPM Hot
Max Speed - (2:27) 107 BPM
Played by: Juno Download
Review: Bringing together sounds from LA's beat scene in "Max Speed" to the fairy floss synths and footwork of "Good Morning", you'll find epic chord progressions in "Follow" next to the abstract drum patterns and mellow keys of "Hum". An album that lands somewhere between Flying Lotus, Hudson Mohawke and Kode 9, get your final slice of UK inspired bliss from the emotive club and trance semantics of "Distances".
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GSTR 085
08 Feb 21
Footwork/Juke
PTS
One Way Ticket - (3:36) 80 BPM
L2 - (4:03) 80 BPM Hot
MF Cash - (4:18) 80 BPM
When I'm Alone - (4:51) 80 BPM
PTS - (3:18) 80 BPM
Home Is Where The Arp Is - (4:51) 80 BPM
Stranger Than Fantazy - (3:39) 80 BPM
Played by: Sun People
Review: DJ Ends stops by alongside the Good Street imprint for a solid seven track project entitled 'PTS'. Overall this project takes an interesting look at the rapidly developing juke movement, but with a much more melodically pleasing approach than your average producer. Through well crafted synthesisers and crispy drum patterns, DJ Ends lays down an overall super solid body of work. Without a doubt our highlights of the EP are the spaced out 'L2' which takes you on a synthesised musical journey, and the fantastically unpredictable 'Hope Is Where The Arp Is' which focuses on rolling filtration and catchy breakbeat patterns.
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GSTR 073
12 Dec 17
Footwork/Juke
New Track City: Volume Two
Peace Offering - (2:36) 80 BPM
S.O.B - (3:16) 107 BPM
Take A Hit - (3:00) 107 BPM
We Made It (Equalized Anthem) - (3:00) 80 BPM Hot
Review: Chicago's EQ WHY is a veritable footwork don in every sense of the word. He has appeared on pretty much any label worth mentioning across the genre, and he's back with the second instalment of New Track City for the ever-impressive Good Street. Not only is the label a powerhouse in the footwork/juke domain, but they also know which artists to recruit in terms of pushing the genre ot its very limits. "Peace Offering" does exactly that, thanks to an off-pace beat and sporadic melodic waves, whereas "S.O.B" gets rid of kick drums altogether, preferring to operate with the help of intricate percussion stutters. "Take A Hit" is a beautifully filtered, almost jazzy wave of snappy beats and 1930's vocals, a blend which has surely never crossed paths until now, and "We Made It" drops some funky-ass bass onto a broken beat pushed forth by evocative rap vocals with a curbside manner. BIG.
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GSTR 072
09 Oct 17
Footwork/Juke
We Used To Care
Battle Time - (3:00) 80 BPM
Who Would I Be - (3:00) 80 BPM
We Used To Care - (2:48) 80 BPM
What That Do!!! (feat Traxman) - (3:00) 80 BPM
Run A Train - (2:54) 80 BPM
Ima Fuck It Up - (2:48) 80 BPM Hot
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GSTR 068
24 Oct 16
Footwork/Juke
Paradise Life
Paradise Life - (4:02) 80 BPM Hot
There Is Always A Place - (4:39) 107 BPM
The One For Me - (4:05) 157 BPM
Review: Austria is not your typical birthing ground for footwork and juke music, but Sun People has dedicated himself to becoming his nation's number one producer in that domain. By the sound of his recent appearances, he's well on his way to achieving this, and this new EP for Good Street is a master in charm. "Paradise Life" is a truly refreshing take on the genre, and the same goes for "There Is Always A Place", and its pseudo jungle approach. "The One For Me" has a relatively straighter percussive flex, but it nonetheless manages to convey the artist's freedom of expression when it comes to making juke music. Recommended.
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GSTR 067
10 Oct 16
Footwork/Juke
Funk Bomb Trax
Faces - (3:27) 107 BPM
Dusty Loopz - (2:51) 80 BPM
Traxman & DJ Phil - "Mystery Jazz" - (4:40) 80 BPM
Traxman & DJ Deeon - "All U Pussy MF" - (2:59) 159 BPM Hot
Long Dik Style - (3:17) 107 BPM
Review: Cornelius Ferguson, or otherwise known as the mighty Traxman, has a long and respectful history when it comes to that 'ghetto' house sound and the whole footwork-juke continuum. Among other labels, he's been a part of Dance Mania, but has also given the UK's Planet Mu a credible angle into the US scene thanks to two killer albums. This new EP on Good Street is all fun and play, with both "Faces" and "Dusty Loopz" strutting their lively melodies amid fast-paced percussion knots. He appears alongside DJ Phil on the more mystical "Mystery Jazz", and with the infamous DJ Deeon on the classic DM-style ghetto joint "All U Pussy MF". "Long Dik Style" brings things to a close with a broken, shifting rhythm that pushes sampling to its limits.
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GSTR 061
06 Jun 16
Footwork/Juke
Travell's Pads
House Our Way (feat Manny) - (3:01) 53 BPM
CPU - (3:11) 107 BPM
New Groove (feat Manny) - (3:48) 80 BPM
Beehive - (4:11) 80 BPM
Golden - (3:36) 120 BPM
Hott - (3:36) 80 BPM Hot
Review: Destination Chicago; Teklife affiliate and TOG crew founder Jalen makes his EP debut via Leeds-based Good Street. Showcasing a broad style within the footwork format, he's laid out a spread generous enough to fill the fattest uptempo selector. From the Detroitian stabs of "CPU" and the woozy, subverted 4/4 soul of "Beehive" by way of the swoony jazz sample of "Golden", Jalen's windy city heritage seeps through every groove with authenticity. Hearty wholesome footwork, cooked for the soul.
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GSTR 059
25 Apr 16
Footwork/Juke
New Track City
My Brothers Keeper - (3:41) 120 BPM
Get High - (3:12) 64 BPM
Swingin Wit Dis - (3:00) 107 BPM
SouthWest - (3:00) 80 BPM
Track'N Wit Attitude - (3:36) 80 BPM Hot
Review: Welcome to "New Track City". Population: You. Chicago realness pioneer EQ Why delivers his biggest body of work since his 2014 album The Dynamic Time. Injecting a strong sense of tripiness and sci-fi to his juke technique, both "My Brothers Keeper" and "Get High" refuse to play by any rules, creating a woozy sensation that footwork has never witnessed before. "Swingin Wit Dis" sees a more visceral return to his T Why days while "South West" takes even deeper into the dance with pitched rhythmic shots and fantastic bursts of light from a perfectly positioned Isaac Hayes sample. Finally we climax with "Track N Wit Attitude", the most warped, muddy, sense-blurring homage to Public Enemy you've ever heard. EQ Why not?
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GSTR 057
14 Mar 16
Footwork/Juke
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