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Hyperdub
Browse the latest digital releases on Hyperdub
Played by: Juno Recommends Experimental
Review: In her third album for Hyperdub Loraine James invites us into a captivating new chapter of her personal and sonic journey that takes inspiration from her past and present. She delivers a record that resonates with the musical inclinations of her teenage years, offering a nostalgically languid and delightfully eclectic collection of music inspired by odd genres like 'math rock' and 'emo-electronic sounds'. For some the album could evoke memoriesa of artists like DNTEL, Lusine, and Telefon Tel Aviv - with James's sonic palette skilfully woven into an unique sonic landscapes. Extracting sensitive and introspective tones through complex, deft and wild production, the album can drifts into serene ambience, as if searching for moments of everyday bliss ("2003"), to stripped backed wax poetics of "D?j? Vu ft. RiTchie" alongside a new wave & acoustic breakbeats sound in "I DM U". As gentle and deep as it gets. Quality.
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HDBCD 064D
22 Sep 23
Experimental/Electronic
22 Sep 23
Experimental/Electronic
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HDBCD 064S3
12 Sep 23
Bass
12 Sep 23
Bass
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HDB 151DS1
05 Sep 23
Bass
05 Sep 23
Bass
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HDBCD 064S 2
12 Jul 23
Bass
12 Jul 23
Bass
Played by: Juno Recommends Bass
Review: Whenever Proc Fiskal comes to town, we know we are in for a treat, especially when he is making himself at home with the Hyperdub family, one of the most respected and undeniably unpredictable sonic outfits the UK has ever produced. We are gifted four tracks of musical gold from Mr Fiskal, who first unloads a laser-like soundscape on 'Pub Utopic', an unorthodox showcasing of synthetic mastery, before the more mellow melodics and post-garage drums of 'Pic Of U'. On the flip, another luscious landscape of electronic beauty in 'Job Centre Cataclysm', fusing blippy melodic twitches with spicy vocal chops, before 'Global Lawn' sends us down one final prism of insanity, insighting unpredictable bubbly drum sounds for a sensational send off.
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HDB 147D
14 Apr 23
Bass
14 Apr 23
Bass
Played by: Juno Recommends Bass
Review: Born in Mexico and raised in the Sierra, now based in Houston, Panch Briones aka Santa Muerte drops his debut EP on Hyperdub. His melodic electronic music is said to take inspiration from the mythology and religion of Mexican culture, merged with the bass heavy sound of his hometown's hip-hop scene. The Eslabon EP begins with the off-kilter and deeply emotional groove of "Tonantzin", followed by the deeply meditative bass frequencies of "Coahuiltecan", moving into the industrial tinged ambient epic "Emma" and ending with the complex and entrancing rhythm work on glassy-eyed number "Laberinto".
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HDB 146D
17 Feb 23
Bass
17 Feb 23
Bass
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HDB 145S1
02 Feb 23
Bass
02 Feb 23
Bass
Various
Played by: Juno Recommends Bass
Review: There aren't many labels that can genuinely hold a candle to the electronic mastery that Hyperdub have been able to deliver over the last decade alone, seeing their catalogue now bulging at the seams with the most intuitive dance music innovation. This latest collection takes the title '10.4' and supplies us with a deep dive into the full spectrum of where Hyperdub are at, with legendary figures such as Ikonika, Cooly G, Scratch DVA, Martyn, Funkystepz and many more all making their return for a fabulous compilation display. From the high energy rave-inspired synth slinks of Ill Blu's 'Bellion' to the unorthodox percussive bubbles of 'Noyfb' from Laurel Halo & iconic glitchy melodies of Burial's 'Lambeth', this is a truly fabulous exploration into just how abstract electronic dance music can get. Another exceptional collection from a truly outstanding imprint!
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HDBCD 028D
13 Jan 23
Bass
13 Jan 23
Bass
Review: As always with Hyperdub, we planned to expect the unexpected with this monstrous new collection from OKZharp, exploring shimmering soundscapes and unusual production scenarios with this brand new 'Outside The Ride' LP collection. Opening up with the footwork-like drum pacing of 'Incline Disconnect', also wrapped up in synthetic beauty, next to the sandstrom of higher ended percussive inputs of 'Fall In Up In The CLK' and early 2000's crunk style synthetics of 'Fen's Touch'. From here, 'Tom Tom Ride Out' gives us a more minimal approach focussing on the space inbetween your typical footwork pockets, next to the chilling melodic designs and potent bass inclusions of 'Cut It Out', which again takes a more alternative route. Finally, 'Obsidian Root Power Up' conjures up a vocally grunted melody lead, next to a vibrant selection of drum inclusions, before the EP closes off with 'Glo Down Nite Trak', again jam-packed with unique percussive arrangements to see the project out in style.
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HDB 144D
05 Aug 22
Bass
05 Aug 22
Bass
Review: Escapology is Kode9's soundtrack album to the 'sonic fiction' Astro-Darien, which will be released later in the year on Hyperdub's sub-label Flatlines. The project began in 2021 as a two week audiovisual installation at Corsica Studios in London, utilising a multi-channel installation of the 50 speaker Acousmonium, courtesy of Paris' INA-GRM, and incorporating "off-world atmospheres into slices of high definition, asymmetric club rhythms, woven through thrilling sound design and vertiginous sonics." From the intoxicating, polyrhythmic sound design of "The Break Up" to the deconstruction of club music on "Torus" being just some examples, the Hyperdub chief has finally brought forth his follow up long-player to 2015's Nothing - and it is certainly worth the wait.
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HYPCD 004D
15 Jul 22
Experimental/Electronic
15 Jul 22
Experimental/Electronic
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HYPCD 004S2
22 Jun 22
Bass
22 Jun 22
Bass
Played by: Juno Recommends Experimental
Review: 700 Bliss is the experimental club project of Philadelphia-based DJ Haram and Moor Mother. This is their first full-length release for Hyperdub, where they incorporate noise rap, club music and hip hop with punk and jazz. Featuring guests such as Lafawndah on "Totally Spies", Orion Sun on "Nightflame", and Muqata'a on "Candace Parker". There is also Alli Logout appearing on "Capitol", M Tellez lending their talents to "More Victories" and Ase Manual contributing production on "Lead Level 15". Nothing To Declare is loud, playful, fun and quite possibly one of the best rap albums of 2022.
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HDBCD 062D
27 May 22
Experimental/Electronic
27 May 22
Experimental/Electronic
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HYPCD 004S1
26 May 22
Bass
26 May 22
Bass
Played by: Juno Recommends Bass
Review: It always feels few and far between a solo Kode9 release if we take into account the last drop under his name - and his name only - was the Xingfu Lu / Kan 12" before his 2015 long player, Nothing. Some collaborative LPs, remixes EPs and other left of field projects later, Kode9 opens Hyperdub's account for 2021 with a synth focused and sample heavy run through two juke joints of footwork inspirations of the Hyperdub bosses current sound and direction. Fresh off appearing in Lawrence Lek's most recent album as a ruthless label boss, Kode9 proves he's the goods for real with "The Jackpot" - harder and more ghoulish rave trip here, with "Rona City Blues" cut up by a fluctuating tremolo effect on its synth that's laced out by a sweet sequence of undeniable footwork drums.
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HYP 015
15 Jan 21
Footwork/Juke
15 Jan 21
Footwork/Juke
Review: Keeping the UK vibes strong this December period is Burial's "Chemz", an epic 12-minute number taking in huge inspirations from R&B and two-step while remaining strong in a post-rave and dubstep aesthetic. With honeysuckle lyrics setting the tone of a love song, detuning and warping techniques play a key part in the track's originality while skimming the surface of Burial's muffled noise floors, foggy atmospheres and deep crackle and pop. Both euphoric, hopeful and melancholic it sees Burial deliver another futuristic number of newskool R&B that meets rave, jungle and dub.
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HDB 134S
21 Dec 20
UK Garage
21 Dec 20
UK Garage
Review: Following the artist's All The Time album (2020), her third on Hyperdub since 2013's breakout Pull My Hair Back, Hyperdub compiles a 'mixtape' of remixes from seven artists Lanza herself would love to rework her latest work. Two UK Hyperdub artists make the cut in Proc Fiskal's deconstructed breakdown of "Lick In Heaven" next to the finger clacks and stepping rhythms of Loraine James' version of "Face". Japan's Foodman arrives with a new age exotica remake of "Alexander" alongside the sweet '90s R&B references and themes of Kate NV's mix to "Baby Love". For the dancefloor, DJ Swisha delivers this EP its hit track with a set of well swung, banging hi hats in "All The Time" while something unique, futuristic and high definition comes from Invisible Cloaks. Rough and ready breakbeats from Martyn Bootyspoon too!
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HDB 133D
10 Dec 20
Bass
10 Dec 20
Bass
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HDB 133S
08 Dec 20
Bass
08 Dec 20
Bass
Review: More next level dubs from The Bug allows Hyperdub to present In Blue, a new collaborative project between Kevin Richard Martin and producer-vocalist Dis Fig, aka Felicia Chen. With the album described by the pair as 'Tunnel Sound' its seven tracks conjure up a foggy vision of what's been expressed as narco-dancehall, zoned-out soul and dread drenched in low end frequencies and melancholic meltdowns. Not too distant from Martin's work in King Midas Sound, Chen gives this project a fresh personality through her experimental and stylistic charm of 'hushed confessionals' and 'bittersweet vocals' sung with 'seduction' and 'delicate delivery'. Mixed entirely during lockdown somewhere in Brussels, its deeply impactful tones boom with an unrivalled supersonic, with slow tempos shining through in "In 2 U" alongside more functional techno semantics in "Forever" - bringing to mind albums like Eno's Small Craft On A Milk Sea and KMS' legendary Waiting For You. Five stars.
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HDBCD 055D
20 Nov 20
Bass
20 Nov 20
Bass
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HDBCD 055S 1
13 Oct 20
Bass
13 Oct 20
Bass
Played by: Juno Recommends Bass
Review: Drawing from UK drill, dancehall and grime inspirations on her first release for Hyperdub since a 2017 LP (Distractions), Hollow sees Ikonika move back toward bass heavy beat making over the recent techno sequences heard on a recent Don't Be Afraid release. With the synths across this EP hit with a gated-effect and tremolo motion in tracks like "Terminus" and "Hollow", find more percussive effects and gestures in "Body Servants". Beats are low slung and trippy in "A-Void" with two-steppy drums, snap happy snares and urban melodies in "Blood Tinge", with dancehall elements coming through strongest on opening number "Kick Counts".
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HDB 129D
21 Aug 20
Bass
21 Aug 20
Bass
Played by: Juno Recommends Bass
Review: It's always a very exciting experience to see a new album with the Hyperdub tag land in the store. This latest outing sees them welcome the wonderful Jessy Lanza for a full length album project by the name of 'All The Time', introducing us to her fantastically unique vocal ability and sense of electronic glamour. The design across the album is pretty damned beautiful, from the floating flutey bridges of 'Alexander' to bubbling soundscapes of 'Baby Love' and everything in-between. It's a long play project for certain, with our highlights being the 80's inspired moogy grooves of 'Lick In Heaven', alongside the warped synthesizer pushes and catchy vocal inflections of 'Ice Creamy'.
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HDBCD 051D
24 Jul 20
Bass
24 Jul 20
Bass
Various
Played by: Juno Recommends Bass
Review: Over the years we have seen the wonderful team at Hyperdub succeed time and time again when it comes to exploring the weird and wonderful realms of electronic music. This latest compilation is another triumph as Silvia Kastel, Jessy Lanza, Lawrence Lek, 700 Bliss, DJ Tre, Lorraine James and more gather for a celebration of the label's unquestionable creativity. Every track holds something truly unique, stuffed full of stunning atmospheric design and delicious harmonic structure, with our highlights from the off being Klein's being the dystopian sounding dissonance within the score behind 'Arese', alongside the return of Lady Lykez, who is joined by Logan OLM, Dizzle Kid, Jammz and Scratcha DVA on a potent creation entitled 'Jackie Chan'.
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HDBD 052
17 Jun 20
Bass
17 Jun 20
Bass
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HDBCD 051S 2
27 Apr 20
Bass
27 Apr 20
Bass
Played by: Juno Recommends Bass
Review: Whenever we are lucky enough to be gifted with a brand new Hyperdub project, we jump for joy, then calm down, dim the lights and get stuck in start to finish. This latest project from Nazar is a masterful display in sound design and we feel is most certainly one to take in on a long play. From the more contemporary structures of 'Immortal' and 'Intercept' to the stunning soundscaping of 'Mother' and 'Retaliation', this one covers an incredible amount of ground across just ten tracks. It's an incredible body of work, with our favourite track being 'Why', which showcases and incredible level of percussive creation.
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HDBCD 046D
13 Mar 20
Bass
13 Mar 20
Bass
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HDBCD 051S 1
20 Feb 20
Bass
20 Feb 20
Bass
Review: As we approach the end of the decade, an era, we can look back on what we now understand to have truey shaped musical evolutions. That was done without saying at the end of the 2000s thanks to Burial and the tectonic influence his debut album and Untrue LP had on popular culture. In this 2011-19 time period it's been Keysound, Nonplus and Text that have since shared the music of Burial outside of his known home, with Hyperdub collecting this selection of the artist's music as part of the label's 15th anniversary run of releases. Hazily so, this compilation shines a light on the trail blazed by Burial with productions like "Street Halo", "Come Down To Us" and "NightMarket", to Burials two most recent cuts "Claustro" and "State Forest".
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HDBCD 048D
06 Dec 19
Ambient/Drone
06 Dec 19
Ambient/Drone
Played by: Juno Recommends Bass
Review: As ever with a Hyperdub drop, we know to expect the unexpected as we are gifted this top draw showcasing of compositional mastery from Doon Kanda, on his brand new album 'Labyrinth. The project is astonishingly good, focussing not one specific area of electronic music, but instead infusing everything into almost every track, from the spooky piano chops and lofi drums of 'Mino' to the Scott Storch style synthesizer patterns and epic OST vibes of 'Enigma'. This is definitely one for the long players, with our stand out track coming in the form of the twisted string work of 'Dio'. Incredible scenes.
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HDBCD 044D
29 Nov 19
Bass
29 Nov 19
Bass
Various
Played by: Juno Recommends Bass
Review: With 19 Hyperdub artists on show here, this intrigue of a collaboration to help Hyperdub commemorate its 15th year of operation sees the label connect with late night television network Adult Swim. The likes of Burial, Ikonika, Fatima Al Qadiri and Kode9 all sign in with tracks specifically made for the compilation, with stand out numbers coming from Skratch DVA via the toxic and percussive "Baka" alongside the white noise crackles and subtle dub and industrial techno grooves of Nazar's "Unruly". Other oddball highlights include Mana's "Climbing The Walls" and the slow march of Doona Kanda's "Perfume". Late night TV has never sounded so good.
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HDBD 049
23 Nov 19
Bass
23 Nov 19
Bass
Review: Google the term conceptronica and you'll find an article by Simon Reynolds on the rise of club music that's maybe more suited to museums. If it's Lee Gamble now showing at Museum Le Conceptronique, Exhaust would be showing something of an example of the club sphere and scene being turned out at the moment. Twisting spirals of deconstructing rhythms fly around the room, forming new shapes and bends, colours are sliced into bold, matte and metallic shapes. Exhaust, in all its hyperfluorescent form, pitches deconstructed club music into a new realm of idealistic harmony, dissonance and contortion. Take this as the second record in a triptych released at the start of 2019 by Hyperdub.
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HDB 127D
15 Nov 19
Bass
15 Nov 19
Bass
Played by: Big Dope P
Review: As a label, there are few within the UK that can boast such an incredible catalogue as Kode9's Hyperdub imprint, a project that pride themselves in defying the rules and wrapping themselves in the unexpected. They here bring in DJ Spinn for a top notch selection, kicking off with super bouncy drum crunches and vocal slices of 'Knock A Patch Out'. Next, DJ Manny joins the party with his contributions to the west coast inspired synths of 'Sky Way', before we dip into the stunning harmonic structures and deep, luscious synth pads of 'Make Her Hot'. We finish up with the angelic pad textures and autotuned vocal musings of 'U Ain't Really Bout Dat Life' to wrap this one up in style.
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HDB 124D
18 Oct 19
Footwork/Juke
18 Oct 19
Footwork/Juke
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HDBCD 044S 2
08 Oct 19
Bass
08 Oct 19
Bass
Review: As ever with Hyperdub, we were ready for the unexpected when we dived into this latest album project from Loraine James, who supplies us with some extremely forward thinking ideas across 11 original compositions. We kick off with the shimmering glitchy tones of 'Glitch Bitch', leading into the distorted frequencies of 'London Ting', the gunshot breaks of 'So Scared' and squelching tones of 'Hand Drops'. Next, 'Blissful' lands with soulful vocal features, alongside the skippy 8bit rolls of the title track 'For You & I', the housey drumwork of 'My Future', the unusual blips of 'Scraping My Feet' and unpredictable drum slices of 'Sick 9'. We then finish up with more vibrant glitch therapy in 'Vowel' before 'Words Ears Mouth' ties everything up nicely.
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HDBCD 045D
20 Sep 19
Bass
20 Sep 19
Bass
Played by: Juno Recommends Bass
Review: There is no doubting at this point that Proc Fiskal is one of the most creative producers working in and around the 140 bracket at this moment in time, constantly evolving his style and exploring new, super colourful areas of sound. We kick off with the dramatic blend of demonic melodies and icey instrumentation within the luscious soundscape of 'Satan', followed closely the high energy eskimo pads of 'Smith's Deli' and breaks heavy garage chords of 'Pico'. Next up, the Asian inspired plucky instrumentation of '2 Moros' arrives on the scene, chased up the glitchy reverses and percussive pips of '4 Minutes', featuring additional work from Delahunt. Finally, the sweeping snowy melodies of 'Prop O Deed' rounds this one up in style!
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HDB 125D
13 Sep 19
Bass
13 Sep 19
Bass
Review: Whenever anything in our inbox bares the Hyperdub emblem, we are immediately filled with excitement at the prospect of diving into something most likely weird and wonderful. We kick off this latest EP project from DJ Haram with a slice of the unexpected in the tabla-heavy tunnups of 'No Idol', followed by the eastern inspired string swings of 'Interlude', the percussive mastery and incredible suspense of 'Gemini Rising' along with the creative gunshot rhythms of 'Body Count'. This is then followed by the long awaited title track 'Grace' which is stooped in futuristic energies and melodies, with the instrumental version of 'Candle Light' providing the finishing touches. We are then given an untitled remix of 'No Idol', followed by the 700 Bliss overhaul of 'Candle Light', rounding off a rousing body of work.
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HDB 122D
05 Jul 19
Bass
05 Jul 19
Bass
