MinimalArchiv - "The Weak And The True" (original mix) - (5:54) 114 BPM
La Guardia De La Luz - "Libertad" (Bonaventura mix) - (9:23) 111 BPM
Review: Sprechen are never afraid to explore electronic music's more leftfield, arty fringes, and you'll find plenty of such shenanigans on this new six-track V/A. Coyote kicks us off with the downtempo drifter 'Cami De Sa Veleta'. Things then get a little more cinematic on La Guardia De La Luz's 'Los Eiyani' before Mummy's Boy's 'Giddy Up' provides the EP's only real dancefloor moment. Popsneon then channel 80s Visage vibes on 'Caffeine Detox', MinimalArchiv's 'The Weak And The True' marries sweeping synths to glitchy beats, before it's back over to La Guardia De La Luz for the inevitable epic closer, 'Libertad'.
Review: The Sprechen team have delivered a tasty selection of futuristic house-driven taste on this latest link up with Acolyte, unveiling three dancefloor ready bubblers with a tonne of original nostalgic influence woven throughout. First up, we take in the title track 'Helter Skelter', a steady, moog-driven chop through old school drum processing and euphoric pad textures, before the swirling synth patterns and distant vocal reverberations of 'Kill The Bill' sweep into play. Finally, 'Sirens' slows the pace down massively with a much calmer combination of moog-like bass notation and atmospheric texturing, rounding off this one with a dash of additional finesse.
Review: Having previously appeared on Sprechen's 'Edgy Future Discotheque' compilation, newcomer Ed Mahon has been given the opportunity to return to the label for a first full EP. He's embraced the opportunity, too, first delivering a moody Depeche Mode-meets-acid-and-dark-disco workout (the excellent 'Lights Go Down'), before wrapping echoing piano motifs and reverb-heavy spoken word snippets around a metronomic electronic disco groove on 'Don't Be Serious'. Arguably best of all though is closing cut 'Say You Care', a gorgeous, sunset-ready combination of Italian dream house piano riffs, bustling bongos and wide-eyed female vocal snippets. It has already received plays at Ibiza institution Café Mambo, so we can safely say that it's definitely Balearic.
Review: The Sprechen label's inaugural album release takes listeners on a captivating journey through the celestial realms of electronica and the vibrant, neon-lit streets of South Manchester. "Where Do I Belong?" marks the debut long player by The Thief Of Time, a new studio endeavour from Sprechen founder Chris Massey. Drawing inspiration from a life steeped in clubs, comic books, cult movies, and cosmic adventures, the album weaves a semi-autobiographical narrative through a tapestry of electronic artists and synth-heavy movie scores. Chris Massey's approach to the project is refreshingly unbound, allowing loose ideas to evolve into a collection of songs that pays homage to diverse sonic influences, featuring contributions from Manchester artists like A Certain Ratio, Bay Bryan, Psychederek and NIIX to Love Letters From Space and Allison Rae from Causeway.
Review: ISO City is a new collaborative project from Sprechen main man Chris Massey and pal Elliot Lion, inspired by their joint love of Italo-disco, EBM, vintage synths and the soundtrack to sci-fi movie 'Tron'. On opener 'Light Cycles', those influences are expressed via bold, throbbing, pulsating, reverb-laden synthesizer lead lines, arpeggio-style sequenced bass, unfussy machine drums and star-fall melodies. On 'Master Control Programme', it's tactile synth-bass, fizzing electronic melodies, wide-eyed chords and more bubbly melodic motifs. The results are ear-catching, entertaining and enjoyable, suggesting that the ISO City project is only just getting going. More, please!
Review: A third outing here for Sprechen main man Chris Massey's The Thief Of Time project, which sees him exploring more downtempo and filmic musical pastures. As with previous releases 'Imposter Syndrome' and 'Pavement Soul' there's a guest vocalist on mic duties: in this case it's Allison Rae from Idaho dreamwave duo Causeway, so it's perhaps not surprising that 'Find Each Other' draws heavily on the more contemplative side of 80s synth-pop for inspiration. There's an accompanying Instrumental that might find its way into a wider range of leftfield/downtempo/Balearic sets, while a Radio Edit completes the package.
Review: What would you expect to hear when you stepped on an "edgy future discotheque"? That's the concept behind one of Sprechen's most popular series of multi-artist EPs, which here reaches its fifth instalment. Rising star Andy Buchan delivers a study start via the grandiose piano house/nu-disco/electro fusion of 'Body Heat', before Flash Atkins lays down a gorgeous fusion of stretched-pit piano solos, lolloping house beats and classy synth-pop sonics on 'Mistpoffer' (a cut that Daco later re-imagines as a throbbing, Patrick Cowley inspired electro-disco throb-job). Elsewhere, Mangetout's 'Body Vibrations' is a lolloping disco-funk shuffler, Jimmy Turnbull's 'Still I Rise' is funky, tech-tinged deep house workout, Ed Mahon's 'Seismic Guitar' is a weirdo electro number par excellence, and Tom2Trax's 'Heatwave Horizon (Lunar Mix)' is a big room house treat.
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