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Warp
from $1.89
WAP 314D
28 Feb 11
Experimental/Electronic
28 Feb 11
Experimental/Electronic
Review: Warp Scotsman Rustie gets epic on this sudden one-tracker. Its vibrancy and technicolour flavour shouldn't surprise in the slightest but the unfettered epicity of the hook is his boldest yet. Giving the EDM guys a run for their money, he shows us how big riffs and euphoria are done from his perspective. Massive in every sense.
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WARPDD 253D
25 Jul 15
Dirty Dubstep/Trap/Grime
25 Jul 15
Dirty Dubstep/Trap/Grime
Played by: Iamseife, DJ Cable, Toyboy & Robin, Starkey, Star Eyes, Aquadrop, Etherwood (Hospital Records), Baauer, BeauDamian
Review: The Glaswegian's highly anticipated album on one of underground music's finest labels comes not a moment too soon. The 13-track album kicks off with the eponymous track of the album "Glass Swords" sets the tone for the piece, which quickly manifests itself to be a glorious fusion of R&B, hip-hop, dubstep, UKG, techno and even more esoteric sub-genres. Highlights from across the selection include the euphoric trance-tinged "Hover Traps", psychadelic "Ultra Thrizz" with its dubstep swagger and firing synths and lush "After Light". Glass Swords really is an album of our time, and we really urge you to check this one out.
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WARPCDD 217
10 Oct 11
Dirty Dubstep/Trap/Grime
10 Oct 11
Dirty Dubstep/Trap/Grime
Played by: Ennio Styles, Diplo, Ya Dun Know, Tom Central, GUERILLA SPEAKERZ, Chris Coco, Mooqee, Diplo, Chris Coco, Patrik Cure, Mr. Mitch, Aquadrop, The Captain, The Golden Toyz, Cyantific, GNTLMN, LA ROYALE, Sounds of Sumo, NSEKT, J Courage, Avicii, Juno Recommends Bass, ILLMANA (DIRTY TRAINER CREW), Filth Collins, THE MANE THING, Black Butter Records, Chocolate Puma, Major Lazer, J69, Mantissa
Review: Making their debut on Warp, Hudson Mohawke and Lunice proudly cross their beams to rain down a sick and slick kind of future-crunk, aptly demonstrated in in the introductory nature of bass-rich teaser "Top Floor" with its juke leanings and menacing posture. There's a detuned nature to the recognisable bleeps and wails on offer here while the beats remain crunchy and steadfast. "Higher Ground" is more overt in its use of juke to create a twisted kind of hype, while "Bugg'n" drips and drops in a loping vat of sub bass and slow-mo strangeness, leaving you with one of the oddest takes on the contemporary mess of electronic beats.
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WAP 337LMD
23 Jul 12
Bass
23 Jul 12
Bass
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WARPCDD 217A
23 Jul 12
Euro Dance/Pop Dance
23 Jul 12
Euro Dance/Pop Dance
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WARPDD 230A
16 Aug 12
Balearic/Downtempo
16 Aug 12
Balearic/Downtempo
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WAP 270D
22 Mar 10
Experimental/Electronic
22 Mar 10
Experimental/Electronic
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WARPDD 220U
06 Dec 11
Experimental/Electronic
06 Dec 11
Experimental/Electronic
Played by: Homegroove Project
Review: Off the back of the widely lauded Glass Swords LP, Rustie peels off a prime slice of crossover potential with a radio edit of "Surph". Featuring Nightwave on vocals, it's a blindingly bright production that cuts it with the big budget chart toppers. Fusing the stacatto synth lines of trance, boogie lead lines and the chunky drum machine work of trap rap, it's as razor-sharp a production as you're ever likely to hear. All it takes is Nightwave's honey-coated (and vocodered) R&B croon to make this a serious contender for summertime radio smash.
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WARPCDD 217R
12 Mar 12
Bass
12 Mar 12
Bass
Played by: Enclave
Review: Battles have always operated at the fringes, in a place where rock and electronic music meet to get it on. On this occasion, it sounds like the chosen remixers have tipped the balance in favour of Battles's techno leanings. The Qluster version of "Dominican Fade" is closest in sound to the act's own approach, with dreamy synths spiralling to a climax against a glitchy backdrop, but it's all about the straight four/four material here. Kangding Ray's take on "Toddler" is a sumptuous dub techno groove, while Silent Servant's version of "Inchworm" is all about the humming, pulsing bass and rattling percussion.
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WAP 329D
19 Mar 12
Techno
19 Mar 12
Techno
Review: Tom Jenkinson is back in town and on utterly deadly form after some years in a strange jazz-funk-pop no mans land. If you love Squarepusher for his tearout electronica tendencies, then this track will make you very happy indeed. Harking back to Do You Know Squarepusher, there's elegant pads and dramatic synth work getting harassed on all sides by nasty digital squelches and squiggles, all grooving to a low-slung tempo. In bombastic fashion a staggered breakdown gives way to an epic breakbeat crescendo that just keeps on intensifying over seven minutes. It sounds like Squarepusher giving his fans what they want and having a great time in the process.
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WARPDD 228S
16 Apr 12
Experimental/Electronic
16 Apr 12
Experimental/Electronic
Played by: Juno Recommends Experimental
Review: After some diverse stylistic swerves over the past few years, Squarepusher is now back in something approaching a typical style. He's moved on in some ways and kept key parts of his idiosyncratic sound intact. There's a positive split between the first half which moves around hip-hop and dubstep tempos while colliding with bombastic synth orchestrations and manic production, before "RedAand Blue" dramatically pauses the fun to open the flood gates to the Squarepusher you know and love. There's a dizzying amount of junglist attitude, sound design geekery and all out sonic terror shot through with a dark mood last found on Do You Know Squarepusher.
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WARPCDD 228
14 May 12
Experimental/Electronic
14 May 12
Experimental/Electronic
Review: This latest single from the Brooklyn synth pop mavens finds them weaving a gloomy tale of cavernous bombast on "Keep It Low", only for Andy Stott to get his techno mitts on it and slow the whole thing down into a slurring dubby drudge like only he can master. JD Twitch & Optimo are lighter in their approach, with some choice polite electro pulses and arpeggios. Pattern however has no interest in preserving the original as his remix scrapes away at what once remained. "Mountains" is a more spacious track that lets the usual wall of melodies soar around Eleanore Everdell's vocals.
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WAP 335D
28 May 12
Experimental/Electronic
28 May 12
Experimental/Electronic
Review: After their triumphant 2010 debut, Brooklyn boy-girl duo The Hundred In The Hands would be forgiven for succumbing to "second album syndrome" on this long awaited follow-up. That they don't is testament to their immense talents. Musically, Red Night shifts slightly from their previous output, but retains strong elements of dream-pop, avant-garde alt-rock and Walls-ish wall-of-sound electrinonica. This is best exemplified on the brilliant title track, which pits Eleanor Everdell's dreamy vocals against formidably dubbed-out atmospherics. Elsewhere, there are nods to New York's post-punk past ("Come With Me") and big, near-anthemic singalongs ("Keep It Low"), giving Red Night a formidably well-rounded feel.
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WARPCDD 227
11 Jun 12
Experimental/Electronic
11 Jun 12
Experimental/Electronic
