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Unearth

GRASSCUT - Unearth
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DJ-friendly full length tracks
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GRASSCUT - Unearth

Grasscut

Unearth

Ninja Tune

Cat: ZENDNL185
Released: 
Genre: Balearic/Downtempo
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
04:26
 
2. 
04:58
 
04:30
 
03:56
 
04:36
 
04:47
 
8. 
03:10
 
04:37
 
03:48
 
Entire Release:

Review

Unearth marks the follow-up to Grasscut's 2010 Ninja Tune debut 1 Inch: 1/2 Mile, sees the duo continue to develop their unique blend of electronica and good old fashioned song writing, featuring ten songs supposedly shaped by landscape and memory, each inspired by a specific location in Britain. It is a uniquely British album, whose folky quality is enhanced with guest spots from the likes of Robert Wyatt and Seb Rochford, with their electronic textures bringing to mind the whole spectrum of Britain's electronic heritage, owing as much to the Radiophonic Workshop as it does to Four Tet.

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