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Future City Traffic Part 1

MFO - Future City Traffic Part 1
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DJ-friendly full length tracks
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MFO - Future City Traffic Part 1

Mfo

Future City Traffic Part 1

Dekmantel

Cat: DKMNTL 018
Released: 
Genre: Deep House
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
06:21
125
05:01
126
08:21
120
Entire Release:

Review

Having previously collaborated under their given names, Massimo Di Lena and Rio Padice launched their MFO project earlier in the year with a single-track salvo on their own Early Sounds Recordings. Here, they deliver the first MFO 12" for Dekmantel, and it's something of a peach. All three tracks effortlessly join the dots between Detroit techno, machine soul and deep house. This manifests itself in the fizzing alien funk of opener "Anti-Social Pain", the melancholic pianos and rolling machine drums of "Slow Run In Our Dreams" and, most impressively, the robust, techno-tempo percussive assault of "Crisis Zone".

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