Review: Glitterbox knows how to throw a party, and "Glitterbox Archives Vol 4" proves it once again. This EP collects four previously unreleased, dancefloor-tested gems, each offering a unique flavour of the label's signature sound. Kicking off with a bang is The Shapeshifters' "Try My Love (On For Size) (The Rub Dub)". This extended version of the already infectious disco anthem dives deeper into its groove, layering dubby effects and pulsating basslines that will have you moving right away. Next up, Michael Gray and Kelli Sae's "You're Gonna Make Me Dub Somebody Else" takes things down a notch. The "dub" moniker lives up to its name, stripping away some of the original's funk elements and emphasizing the hypnotic rhythm section. Kelli Sae's sultry vocals remain captivating, while the dub treatment creates a more introspective and atmospheric aura. Art Of Tones & Inaya Day's "Give My Love (Piano Dub)" is a revelation. This stripped-down version showcases the song's beautiful piano melody and Inaya Day's powerful vocals in a whole new light. Rounding out the EP is Qwestlife's "Hit It Off (Babert Remix)". Italian house maestro Babert injects his signature energy into the track, transforming it into a driving house anthem. Teni Tinks' vocals are chopped and looped, adding a playful touch to the infectious groove. This one is sure to get the crowd moving and leave them wanting more. A sparkly feast for disco devotees!
Review: By now, we should all be aware of Ron Hall and the Muthafunkaz "The Way You Love Me", a 2006 soulful house treat that really started to dominate dancefloors two years later thanks to Dimitri From Paris's disco-fired "T.S.O.P" rework. For this edition, the storied Parisian producer has delivered a "Glitterbox Retouch" of his now legendary remix that's arguably even more satisfying than his previous Philadelphia International style re-rub. Arguably even better is Tom Moulton's new "Philly Regrooved" revision. This 13-minute beast contains all manner of superb instrumental solos (vibraphone, jazz guitars etc.), takes nearly five minutes to introduce the vocals and feels like the definitive version o a contemporary disco classic.
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