Even The Good Times Are Bad (U-202's Always Having A Bad Time mix) - (5:19) 111 BPM
EXE 2 Blueprint - (6:28) 64 BPM
Demon Circuits Bloodbath (1983) - (3:21) 57 BPM
Even The Good Times Are Bad (1983) - (4:31) 58 BPM
Todis - (6:04) 61 BPM
Review: Contort Yourself reaches its sixth installment with yet another era spanning gathering of post-punk and industrial oddities for the most deviant of dancefloors to digest. In the contemporary corner we have Penelope's Fiance, a promising industrial artist from Greece. Meanwhile, Nigel Ayers as Nocturnal Emissions takes us back to 1983 with the utterly chilling "Demon Circuits Bloodbath" and "Even The Good Times Are Bad". L.I.E.S boss Ron Morelli steps up as U202 to remix "Even The Good Times Are Bad" as a death march of malevolent percussion.
Review: Previously responsible for a mixed cassette release on Delroy Edwrads' label, Fernando Seixlack aka INNSYTER now delivers this rough and raw mini-album. These tracks are coated in street dirt and layers of dust, but Seixlack still manages to stand apart from the noise crew. "Spider Bar" is led by a spooky, flickering bass and chattering, high-tempo minimal groove, while at the other end of the spectrum is the spacey, atmospheric textures of "Cut Eleven". In between lie the fat, bass-heavy house of "Fat Fetish" and the hyperactive funk of "Pleasurable Possession". It makes for another individualistic, distinctive LA Club Resource release.
Review: Delroy Edward's LA Club Resource finally drops its next bombshell, this time a collaborative effort that includes three newcomers, possibly riding low-key under different aliases. Riding shotgun, you got Chicago legend Gene Hunt with the minimal and freaky vibes of "OW (Drum Beat)", a woman's scream darting in and out of the stripped-back groove, and the heavily filtered "S Sonics" by the mysterious Wrecking Project. Over on the flip of the wax plate you have Blacktail's old-school lick "Now Muzik", while "Blimp Works" by Innsyter is a pumping techno gunshot that goes dirty and heavy on the percussive rattle. Raw, dirty, and messed up from the start.
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