Time Overtone - (8:32) 130 BPM
Noughtsmith - (5:47)
124 BPM FemmeB (Makaton remix) - (6:13) 140 BPM
Time Overtone (Voidloss Armchair of Oblivion Mix) - (8:37) 125 BPM
Mechanical Prayer - (5:42) 125 BPM
Review: The greatest thing about the new wave of techno producers is that the best ones feel unrestrained by genres, tempos or rhythmic structures. Rory St John is a perfect example: on Epoch, the Dublin producer flirts with the kind of abstract electronic nuances that Autechre are known for. "Mechanical Prayer" is a menacing glitch-hop arrangement pushed to the edge, while "Femme B" sees droning frequencies convulsing over shredded metallic drums. Makaton provides a fittingly skewed and splintered take on "Femme B", but there is another, more direct side to St John's approach: "Time Overdrive", with its breathy sytnhs and loose leaf percussion provides a perfect balance between classic Detroit techno and modern Berlin sounds, while "Noughtsmith" applies the splintered, distorted approach of "Femme B" to a peak time arrangement.