Review: What a collection we have here, as two legends of the game in Deekline and Specimen A return to Jungle Cakes to oversee a powerful remix collection of their 'Get Lucky' project. Featuring 10 hard hitting recreations, we see the likes of Kiwa, Scuffed, Exult, Nick The Lot and more get involved with a colourful collection of rave-ready remixes, all jam-packed with original jungle flavour. The introductory sounds of the L-Side overhaul of 'Duppy Destroyers' sets the tone nicely as warbling subs are let loose to fly in many directions, with this energy being replicated on Rise's rework of 'Mosh Pit' with Killa P & Ivory, alongside Danger Marc's wicked rethink of 'Run The Dancehall' with Deemas J. The whole project is dripping in rave-ready energy, with numerous overhauls of 'Duppy Destroyers' playing the major role, with additional reworks including Papa G's rethink and an original VIP to match. Incredible stuff!
Review: The renowned label boss of Jungle Cakes - Deekline - a man with more releases under his belt than most people, is landing on the imprint with a brand-new album alongside Specimen A. The pair make a potent combo, and their devilish approach to dancefloor-friendly drum & bass makes this album full of jump -up bangers, junglist sounds and even stepping halftime badness. It's a proper rowdy album and 'Middle Finger' is the best example, as a stupidly cool angled bassline flutters into the distance with pitched-up angst and serious underground intent. The big bassline steps of the halftime monster that is 'Kill That Sound' blend the techy with the angry, and the legendary MC Det features on 'This Way'. Get Lucky stretches to a might 18 tracks, and all of them are absolute hoofers. Big, big stuff.
Review: Deekline, of the guys behind the prolific Jungle Cakes, is back on his own imprint with Brian Brainstorm, Specimen A, Sweetie Irie and KIlla P, an all-star lineup that have produced a ferocious blend of crashing jungle and menacing vocals. The structure they've concocted makes this tune so sick, with stepping halftime sections that utilize Sweetie Irie and Killa P's wicked vocal talent to build suspense, creating rhythmic diversity that then falls away on the drop into punishing breaks and warped out basslines. Proper club friendly weapon from the Jungle Cakes crew.
Review: In a reggae laden expression of the stylistic backing behind Jungle Cakes, Deekline & Ed Solo are teaming up with Specimen A and renowned MC Blackout JA. 'Let The Music Play' rolls out with all the intent of four artists who know exactly how to blend dub-infused tones with a rolling 170 beat, as they have done many times the past. This time is well-trodden ground for them, but the shimmering brass notes and funky vocal lines don't sound any less wicked. There's a B-side which takes things a bit heavier on some VIP business, rounding out the single well.
Review: This fresh single coming from the Jungle Cakes crew has one of the best MC line-ups we've seen in a long time, with Trigga, Boomah, Specimen A and Navigator all coming correct for what is a fresh little roller with an old-school twist. Deekline is on production, and 'Duppy Destroyers' ebbs and flows with a comfortable sense of nonchalance, bassy stabs punctuating its sparse but satisfying percussive line and an overall feeling of ragga influence permeating every second of its playtime. Suitable for carnival season, this one.
Review: Deekline and Specimen A make another high profile collaborative appearance on this brand new single entitled "All The Way Up". The pair rework the classic Fat Joe & Remy Ma instrumental sample into a piece of jump up genius, complete with vicious bass synthesis and punchy drum patterns. We are also blessed with a superb Ed Solo redesign which strips the entire arrangement back for a skanky shellout, complete with super syncopated rhythms and lethal reese bass leads.
Review: Known for their Radio 1-supported re-rub of "Cold As Ice" or remixes of Deekline and Dylan Rhymes, Specimen A are back with a vengeance on this Dr. Dre-sampling beast of a tune that starts off as a charging breaks tune before dramatically upping the bpms and dropping into a nasty, hands-in-the-air dubstep bass 'n' beats combo. It won't fail to be a priceless slayer on the floor, and b-side "Where You Get That" isn't too shabby either, this time sticking solely to a chunky breaks formula.