Review: It's been slowly drip-fed to us over a 10-month period but now here at last is the full album. On 'Something Like That', Jalapeno bosses Skeewiff celebrate 25 years in the game by paying tribute to some of the music that's inspired them, delivering generally very faithful but also very accomplished reworks of classic tracks by artists ranging from The Winstons and Jimmy Smith to Dick Dale and Herb Alpert. New additions to the roster on this final version include Nancy Sinatra's 'These Boots Are Made For Walking', Muppets 'Mah Na Mah Na', Mel Tormé's Mod club standard 'Coming Home Baby' and, just to prove they're not taking themselves TOO seriously, Boots Randolph's 'Yakety Sax' - better known to most as the 'Benny Hill' theme.
Review: They've yet to make as much of an impact in the northern hemisphere but Melbourne-based outfit Mildlife are big news Down Under - their last (second) album 'Automatic' went Top 10 nationally in 2020, and won the ARIA award for Best Jazz Album to boot. Now they're back with long player #3, 'Closer', and it showcases a sound that's hard to pin down, with the album as a whole fusing elements of jazz-funk/jazz-fusion, Balearica, cosmic disco, psychedelic pop and modern indie, and even straying close to ambient territory on the title track. With the tempo seldom rising above walking pace ('Musica' being the only exception), there are no obvious dancefloor moments here - instead, it's an album that's best served whole, when in a mellower frame of mind...
Review: Brandon Weems and Craig Handfield are a pair of DJ/producers from New York, who've been putting on their Coloring Lessons parties since 2018 and have since launched a label of the same name. Here, though, they come to BBE Music with a cut that, with its fusion of Afro, jazz and soul elements, could perhaps only have come from the city that birthed Body & Soul. If the laidback, rolling beats of the Original aren't quite doing it for you then maybe Shannon Harris' A Love For Joy Journey Mix, with its fat funk bassline, spoken word intro and "party!" chants will, while an Instrumental Mix completes the package.
Review: One of the soul scene's most influential DJs, it's little surprise that Colin Curtis' Jazz Dance Fusion compilations on Z Records have been so impressive. He's dived even deeper into his vast record collection on this third volume, serving up a fine array of both classic cuts and sought-after obscurities. There's naturally plenty of Latin jazz on show - the backbone of the jazz-dance scene since the 1970s - but also forays into spiritual jazz, Hammond-heavy dancefloor workouts (see the sweaty 'Yatra Ta' by Martin Johnson), soul-jazz (JuJu), energy-packed percussion jams (GeeW) and Afro-Latin fusion (The Drive).
Review: During the British jazz-dance scene's late '70s and early '80s boom, there were few DJs that the dancers loved more than Colin Curtis. Still DJing today after 50 years behind the decks, Curtis was a natural choice to put together Z Records' first compilation dedicated to jazz-dance, jazz-funk and fusion sounds. The album is something of a stunner, all told, full of deep selections, floor-burning favourites and high-grade workouts. There's naturally plenty of Latin jazz flavours on show, high-octane thrillers (See Eric Kloss's "The Samba Express"), swinging jazz-funk (check the superb Charles Earland track) and the kind of extended wig-outs that just make you want to bust some serious shapes.
Review: Deep inside the annals of Bill Brewster's book Last Night A DJ Saved My Life (essential reading), Colin Curtis is not only credited as being one of the first to introduce mixing to British nightclubs but moreover his influence in bringing African-American and Latin music to the point of spawning a split in the Northern soul movement and modern soul sub genres. Admired and adored worldwide, the legendary selector has been commissioned for a second volume of Jazz Dance Fusion by Dave Lee's Z Records, with this various artist edition delivering a select showcase of unreleased material from Curtis's private vaults that highlights his love for dancefloor jazz, vocal numbers and percussive influences Colin Curtis style. All that jazz.
Review: In an industry where the term 'veteran' is bandied about far too freely, Colin Curtis is the real deal! His DJing career goes all the way back to legendary Northern Soul club The Golden Torch in the late 60s. In the 70s, he was a resident at Blackpool Mecca alongside Ian Levine, where he became one of the first DJs to introduce the more modern sound of jazz-funk to the scene. By the mid-80s he'd become an early UK champion of house, too, but these days it's on the jazz-dance scene that he's most revered - and here he serves up a 26-track connoisseur's collection that shows why. Ranging from straight-up jazz and soul to soulful house and leaning heavily towards the Afro- and Latin-flavoured, some of these cuts are recent offerings, some date back as far as the 70s, but on jazz-dance floors, all will go down a treat.
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