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RAW.3

LAHJ - RAW.3
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LAHJ - RAW.3

LAHJ

RAW.3

Crow Castle Cuts

Cat: CCCRAW 3
Released: 
Genre: Techno
Formats: 
320KB/S MP3
High quality compressed file. The file includes embedded artist/title info & artwork and is suitable for home/iPod/phone use. Usual price £1.15 per track.
WAV
Uncompressed lossless file, with large file size (e.g. 70MB per track). The files contain no embedded artist/title info or artwork but playback is universally compatible on all software/hardware. The usual price for WAVs is £1.65 per track.
FLAC
Compressed lossless file with very efficient file sizing e.g. 40MB per track. The files also include embedded artist/title info & artwork. Playback, metadata and artwork are moderately well supported (but not for iTunes, iPod or Windows Media Player). The usual price for a FLAC is £1.65 per track.
ALAC
Compressed lossless file with efficient sizing e.g. 45MB per track. The files contain artist/title info & artwork, and while not widely supported for playback at present, they are compatible with iTunes/iPod. The usual price for a ALAC is £1.65 per track.
AIFF
Uncompressed lossless file with a large file size (e.g. 70MB per track). The files include embedded artist/title info and artwork in iTunes and some others, with playback universally compatible on all software/hardware. The usual price for AIFFs is £1.65 per track.
Play Wishlist
TITLE
LENGTH
BPM
06:46
124
2. 
06:57
119
07:46
133
04:26
132
Entire Release:

Review

There's a complete lack of information as to the identity of LAHJ, the latest jammer to appear on the excellent Crow Castle Cuts label but we hope it stands for Live At Hugh Jenkins in homage to Offenbach institution Live At Robert Johnson. Regardless of source, the four tracks here more than match the calibre of previous CCC output, with title track "Miller SC" a wonderfully dark yet playful groover with some blinding organ stabs. "Womb" finds LAHJ dip into acid fried techno that feels like it was recorded straight to tape, whilst "The Tinley Effect" strips things back to a more minimal thrust that allows more of the analogue feel to seep through. This leaves "Gears & Greas" to close proceedings in a jerky, rhythmically unpredictable fashion that would appeal to the Pudel crowd.

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