Review: Buenos Aires nu-disco label Heartbeat Revolutions dropped the Music Fever EP by Ccccchaves earlier this year. Now it's back in remixed form and sounding as good ever. "Dirty Disco" has been turned into glistening, synth drenched electro-disco by Phunktastike, "Funky Dancefloor" gets twisted into very early '80s Duran Duran (with plenty of killer slap bass) by Julian Sanza and finally the title track gets stretched into an irresistible seven-minute slab of percolating electro-disco-house by Future Feelings.
Review: We can't believe it's a whole year since Madrid's Los Grandes dropped Future Feeling's nu-disco bomb, the Funk EP. Well, Our Nights are keeping its spirit alive by releasing a whole bunch of remixes of lead track, "Skylife"; Fernando gives his old cowbell and voicebox a good workout, Heion goes heavy on the squelchy analogue grooves, L'equipe Du Son brings some killer Chicago jack to the party and Modulaire supplies some stripped back Italo vibes. Also the mighty Dynamicron adds all kind of quirky noises to "Africa's" leftfield disco shizzle.
Review: Already boasting support from the likes of Jacques Renault and Jazzanova, File Under Disco are onto another winner with their latest release. Future Feelings are analogue disco enthusiasts with a mission to deliver music 'developed both for dancefloor glory and for sensitive listening'. With its loose, slap-heavy funk bass and shimmering piano, "Neat Disco" straddles the divide between a messy night out and a messy night in with gusto. Disco-nouveau hero, Pete Herbert, hooks up with Dicky Trisco for a teased-out spacey Balearic remix, but we're loving the mournful, Guru-Josh-on-downers trip of "Wonky Disco" the most.
Review: Rene Lavice has been one of themost exciting additions to Andy C's Ram stable over the last few years. While the label is usually associated to strict drum & bass, Lavice's tunes push the boundaries of the genre way out into hyper space, and touch on many different influences in the process. "Human Safari" is a true hybrid tune, a mass of broken half-breaks, surrounded by raucous sonics ad playful atmpshperics. It's as daring as you're gonna get from modern d&b. It's definitely worth a gander!
Review: In the last 12 months, Mexico has emerged as an unlikely hotbed of nu-disco talent. The latest act to emerge from the apparently disco-minded Central American state is Future Feelings. Here, they offer up a two-track taster EP on Madrid-based Los Grandes, an imprint whose discography seemingly gets better with every release. Both "Skylife" and "Africa" are built around delightfully rubbery bass guitar grooves, with the former taking top billing thanks to some choice vocal samples and a loose electrofunk/disco fusion vibe. "Africa", though, is still pretty tasty, and should cause considerable dancefloor damage thanks to some fearlessly wigged-out synth squiggles.
Review: To date, Mexico-based producer Future Feelings has tiptoed the fine line between deep house and nu-disco. "Stay On The Scene", though, is an altogether murkier affair, with pulsating, Jaydee style Belgian bass and trippy electronics underpinning a gnarled spoken vocal. It's more akin to something that you'd find on Hot Creations or Crosstown Rebels than Electrique, but that's no criticism. The strangely titled "Eddie Mercury (Mike Dub)" version is, if anything, even more intense, with darker textures and some twisted acid touches. It's a real late night, heads-down hip-wiggler. It's probably the pick of the two tracks, which is some compliment given the qualities of the original version.
Review: Wow! Here's a collaboration and a half - former Silver City man, Julian Sanza (2020 Vision, Cr2) has hooked up with Future Feelings (Los Grandes, Eskimo, Gazeebo International) for an Argentinean meets Mexican hoedown. The original mix is pure shimmering, sleepy poolside synthpop with that unmistakable Silver City glacial sheen. Remix-wise, Tronik Youth adds some nice chunky electro arpeggiation, Avanti opts for some mid 00s electro-house action and Ben Macklin steers us into piano-led nu-disco territory. With early support from the likes of Cosmonauts, Tensnake and Bill Brewster, it looks like this one's a winner.
Review: West Country nu-disco dons Situation are the latest outfit to and compile and mix an installment of Nang's popular Beach Disco Sessions series. Happily, they've dug deep into their crates, putting together a selection that blends back catalogue material from the Nang and Tirk labels (Ruf Dug's quirky mix of Klein & MBO's Italo-disco classic "Dirty Talk", the blissful nu-Balearica of Sorcerer, AN2's overlooked rework of Space's "Carry On, Turn Me On") with vintage material and overlooked gems from a decade of nu-disco (see the early Hans-Peter Lindstrom remix of Fuzz Against Junk's "Country Clonk"). Naturally, there are a few of their own tracks and remixes in there, too, including the deliciously woozy deep house cut "Here Comes The Sun" and a sublime, string-drenched remix of Love/Money's "Strange Kind of Love".
Review: Last year's Pink Collection, the first in Eskimo's Colour Series of compilations, delivered a sumptuous blend of baggy Balearica, synth-heavy nu-disco, electronic deep house and wide-eyed indie-dance. Here, the long-running Belgian label repeats the formula, serving up 12 new and recent cuts from a wide-range of artists. Highlights come thick and fast, from the touchy-feely goodness of Freeform Five's Roisin Murphy hook-up "Levinthian" and the atmospheric nu-disco-goes-acid of Volta Cab's subdued "Smoke Some Kill", to the guitar-laden Balearic house of Peak Oak and company's "Nova", and Elke Kleijn's sensual, string-laden deep house epic "A Tale of Two Lovers".
The Purple Collection (continuous DJ mix) - (1:10:56) 119 BPM
Review: Eskimo Recordings' colour-coded compilation series has been running for a while now, serving up previously unheard cuts from the Belgian label's ever-growing family of artists. Typically, there's much to admire on The Purple Collection, the seventh annual instalment in the ongoing series. Highlights include the deliciously cosmic, slo-mo pulse of Atella's "Ascension", the horizontal Balearic disco shuffle of Antenna's "Sparks", the pitched-down, early Chicago house-meets-synth-pop flex of Dan Soloand Future Feelings' "What Else Can I Do" and the Aeroplane style nu-disco positivity of Cavego's "Var I Eyer". Elsewhere, you'll find more up-tempo, nu-disco-fired dancefloor excursions from Simple Symmetry, BOKA and Horixon, while a hugely enjoyable non-stop DJ mix of the selected tracks completes a fine package.
Review: Since launching as a Tirk sub-label in 2009, Nang Records has gone on to outlive its parent label and become one of the most reliable imprints in nu-disco. The label's progress has traditionally been charted by compilation series The Array, with new volumes appearing every 12 months or so. This latest installment is naturally packed with highlights, from the sparkling disco-soul of Hot Toddy's remix of Situation's Andre Esput hook-up, "Get To Know Me", and the contemporary Italo-disco throb of James Rod's "Steelerr", to the quirky Balearic bliss of Cardmoth, the synth-heavy wooziness of Deepkey, and the trippy, acid-flecked thrills of Aimes' "A View of Istanbul".