Review: Fabrizio Mammarella and Rodion deliver a momentous release with Musica E Computer - recorded in the legendary Marche Synth Museum in Italy. The opening track "Iris" sets an exceptional tone, exploring eerie, metallic tropical landscapes, while others like "A Corrente Alternata" and "Un Segnale Di Speranza" showcase Mammerella and Rodion's unmatched partnership, crafting enigmatic, timeless earworms with driving basslines and arcane vocoders. Throughout the album, the duo seamlessly blends synthetic and organic sounds, offering a geographic coda to the Italian region's rich musical history. Musica E Computer culminates in "Una Nuova Era", a transcendent homage to the recording synth drenched studio the album was recorded in which makes for some Italorama to the fullest!
Review: A single-tracker here from Russian DJ/producer Anton Bogomolov, better known as Scruscru, coming as ever on his own Scruniversal label. A title like 'Spring Jazz Session' is always gonna be fairly evocative, so you might think you have a pretty good idea what to expect here already... and you'd be pretty much right. Opening with tinkling keys over gentle percussion before introducing a walking bassline and, eventually, an understated 4/4 kick, this mellow, summery groove with its lead flute line is definitely one for afternoon and poolside sessions rather than Saturday night dancefloor abandon - but served on a good system at the right time, it'll sound just heavenly.
Review: Two Chi-town veterans scene join forces with predictably fine results that are served up in three quite different mixes. In its Original form, 'Body Jerkin' is a disco-house paean to the delights of the dancefloor with a full vocal from Everett, live-sounding hand percussion and naggingly familiar disco strings. The Chicago Mix kicks much harder from the off with rock-solid 4/4s, but almost immediately takes a far jazzier turn with meandering, wigged-out keys, Everett getting his scat on and horns joining the party around the three-minute mark. And then there's the Disco Mix, which opts for a more 70s-ish sound palette but takes a looping, cut-up approach. All three are eminently playable but the Chicago Mix is the one for the proverbial 'heads'.
Review: Two recent cuts from Russian disco don Alexander Chebankov, better known as Sunner Soul, get handed over to fellow St Petersburg native Unclepasha - whose musical CV dates back to the early 00s - for the remix treatment. His take on 'Right Place', which first appeared on last month's 'Something Good' EP, tones down the boogie and jazz-funk influences of the original and ends up deeper and smoother as a result. Conversely, he's kept the boogie stylings of 'Need You' (taken from February's 'Da Funk' EP) intact and arguably even emphasised them, in a dubbed-out remix that gets distinctly Levan/Peech Boys-esque in places.
Review: Following a fine debut on Apparel Music alongside Paul Bart 14 months ago, Tamati delivers a solo debut on Mexican label Saint Wax. Title track 'Notte in Riviera' places seductive Italian vocals atop a blend of moody nu-disco synths and jacking acid house grooves - all sweaty drum machine handclaps, addictive bass and sun-splashed lead lines - while 'Tutto Un Déjà vu' blurs the boundaries between early '90s Italo-house and warehouse-ready house cuts of the late 1980s. Finally, Tamari takes us towards the early hours with bold and beautiful acid house workout 'Magica'.
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