Review: Back on Pick The lock for the first time in a long time, Kormz brings the storms with this almighty six-pack track attack. Taking off where he last left us with last year's 'Collusion' EP on Nemesis, it's an intense trip into the fieriest corners of his DAW and a place where some really grotty sound designs ooze out of the speakers. Vibes range from the bone-shakingly tearing and gnarly ('Stick') to greasy, deep and offkey ('Desolate') via strange other-worldly trippy funk ('Sh*t Connection') And that's only half of it. Shots fired!
Review: Hitting us like clockwork, every three months since last October, Exit 100 EPs have been an exceptional journey into the label and everything it's stood for since launching 21 years ago. Over the last two EPs we've had all kinda of beat wizardry and boundary burning but for this one it's all about the cutting edge drum & bass. Each cut is a highlight but Loxy & Resound's 'Tyranny' is a direct trip back to 97, Skeptical & Kid Drama's 'Scorn' is a hearty homage to Krust and Mark System's 'Chinook' is every bit the take-off tune you'd expect from it title. Get to the chopper!
Review: Just when the sound technician at the club thinks they've got an easy night ahead of them, along comes Kontakt with 'Redlines At Dawn'. Overdriving your mixer with every sharp kick and gnarly bass texture, the whole EP is an absolute steamroller of a session and includes a few familiar faces... Serial Killaz flip 'Start Barking' into a whole dog pound of ruffage while T>I appears on the final two cuts... 'Format' sees him joining Kontakt for a dark and stripped back cut in the form of 'Format' while the EP concludes with a T>I remix of Kontakt's 2022 Richter scale ruiner 'Tremors'. Shake it baby!
Review: A gent on the streets, a demon in the spreadsheets; Excel returns with another exceptional EP that's absolutely loaded with grot and slimy sonics. Following his 'Apocalypse' EP on Pick The Lock, he continues to hone a very particular strain of 'puking robot' bass that's evident in many of tracks, especially right here. Highlights include the coiled spring flexes and algae-covered bass on 'The Beginning' and the rusty robot scrapes and scratches of 'The Truth'. That's just half of it. Check it yourself... You might say it all adds up.
Review: The most prolific man in drum & bass, Conrad Subs returns to Ray Keith's Dubplate Dread for the first time since 2020 with a humungous wedge of wallopers. Seven cuts in total, each one of them tailored for those magic 3am moments, big moments range from the gruesome growls and grizzles of 'Octavirus' to the pure raucous shreds and slaps of the title track 'Real Dread', a cut which really does live up to its name. Oh boy, this could well be Conrad Subs' mightiest EP so far, which is really saying something. Real talk.
Review: We hate to break the news to you but, as doctors R!PT!DE and Ghee-K have officially confirmed: 'You're Dead'. Putting this 'ahhhhhhhhhh' into RIP, mourning will be rolled out in a series of super freaky, ultra sleazy, mega leftfield sound designs and textures. From the regimentalist solider orders of 'Rojah' to trippy, broken-spring finale fire of the title track 'You're Dead', this is one exceptional collection. Time to put your affairs in order.
Review: Man like Kublai returns to Total Science's label with some of his darkest, dankest, dirtiest designs to date. 'Big Talk' takes the lead with a big old b2b2b in the studio as Kubbie, TS and Minor Forms all get mucky in the action. Elsewhere 'The Imposter' goes for a classic wormy bassline tension, 'Trippin' is pure filth laced over scattershot drums (with more filth thrown in for good measure) while 'Sullied' closes the EP on a pranged out drone tone. Exceptional drum & bass craft here.
Review: 20 years old this summer! Basement Jaxx's anthemic string-drench good riddance anthem 'Good Luck' gets two incredible drum & bass remixes on Friction's Elevate right here. First is Circadian who continues to smash things up post Prototypes with this wild dancefloor turbo boost. Think Breakbeat Kaos with added diesel power, it's an absolute monster. Sri Lanka's IYRE meanwhile brings more of a housey type of touch with big filtered chords and a rising sense of momentum that pays off more and more with every 16. Good vibes.
Review: Bladerunner back on Philly Blunt baby! You already know this one is going to be special. Two massive cuts laced with big V funk and exciting, unpredictable twists, 'The Chronic' is an immense piece of work that's just as much disco as it is jungle thanks to some lavish synth blasts mid-way. 'Straight Up' goes for something even ruffer as the main bassline revs up a storm like a can of coke on your bike's back tire. Grizzly ain't even the word, this is savage. Go on Bladerunner!
Review: Nick The Lot on Low Down Deep... Now this is a treat for the senses! Watch and learn as the Brighton bandit hurls out some of his most disgusting textures and techniques possible. 'Big Bad Bass' sets the scene with its oddball noises and sudden turbo synth thrusts. Unpredictable, weird and never taking itself too seriously, the rest of the EP is a riot and highlights come firing left and right and centre - 'Bermuda Triangle' is one of the most bonkers thing NTL has ever done while 'Waccy Baccy' melts us down to a psychedelic mess for the finale. More than your lot.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.