Review: Fresh from delivering an EP of nostalgic 'Club Specials' on regular home Wolf Music Recordings, Frits Wentink returns to Clone's Royal Oak imprint for the first time since 2020. Title track 'Spiritual Basslines' - which is available in 'Club Mix' and 'Extended Mix' variations - follows a similar sonic template to the Amsterdam stalwart's most recent releases, adding classic deep house sounds to the kind of skippy, loose-limbed groove most often found on late '90s US garage releases. Highlights elsewhere across the EP include the vintage Nu Groove-influenced excellence of 'Eternity', the dub house meets-nu-disco shuffle of 'Golf Cart Joyride', and the deliciously deep, dusty and dubby shuffle of 'Olympiad'.
Review: Leeds' own disco don Andy Buchan returns to Hot Gorilla with an EP consisting of what are, essentially, three nu disco-fied cover versions - specifically, his takes on 'Don't You (Forget About Me)' by Simple Minds, 'Get Lucky' by Daft Punk and 'Burning Down The House' by Talking Heads. But there's a twist - as the EP title suggests, each of those covers has been augmented by the employment of a full choir on vocal duties. It's an approach that may prove a bit 'Marmite' (for this writer, the treatment works best on 'Get Lucky') but it certainly makes a change from endless re-edits...
Review: Throughout their decade-long career, Alma Negra has combined their love of disco and deep house with percussion, instrumentation and ideas excavated from African, Caribbean and tropical musical cultures. On this EP, they largely ditch the latter inspirations, instead delivering full-throttle revivalist disco sounds where the Basel-based band's organic instrumentation and vocals combine with colourful synth sounds and heady horns. The headline attraction is undoubtedly 'Madrugada', a warming and thickset, subtly deep house-influenced take on the turn-of-the-80s NYC downtown disco-not-disco sound. It comes backed with two revisions - an extra-percussive, dubbed-out Yuksek tweak and the band's own dub disco-goes-deep house 'Dub Mix' - and the riotous, party-starting brilliance of 'Funky Fever'.
Review: Long live team Alpha Pup, an excellently organised project that have moved onto the third edition of their epic '20/20' compilation series, exploring the most lethal reaches of underground bass music. Featuring hard hitting originals from the likes of Ivy Lab, Dismantle, Rocks FOE, Bakey and more, it's clear that the team have gone all out on this collection, with sounds ranging as wide as the hardcore inspired mysticism of 'Naananaana' from Rohaan, to the industrial techno-flavours of Ila Brugal's 'Cynical'. The whole project packs a punch, but our highlights would have to include both the intense metallic madness of Deft's 'OKURTHEEXPERT', alongside Manni Dee's monstrous 'Wet Slide' creation. Top work all around!
Review: Four40 have been known for their cultivation of talent since their inception, with this latest offering seeing the monstrous flavours of bullet tooth land for a much awaiting link up. Across these five tracks, we see exactly what bullet tooth is all about, with the moody sub pulses of 'Your Love' and crunching drum stutters of 'Immaculate Skank' giving us a truly vibrant experience. Killa P then touches down for a hard hitting vocal performance on the heavily syncopated slides of 'Brand New Day', followed by the pacey breaks-driven drum lines of 'Love Sensation'. Finally, we round off with a more subtle piece of soundscaping entitled 'Signal', bringing a touch of calm to bring this awesome debut drop to a close.
Review: As Miami Winter Music Conference spins around for another year so does Toolroom's affiliated compilation showcasing why Mark Night's label remains at the precipice of mainstream club music. Bringing with it two full length DJ mixes and exclusive tracks from crew like Alex Kenji, Jerome Robins and Camila Jun, there's also banging numbers from legends like Green Velvet, Nicole Moudaber and Shadow Child next to Low Steppa and Tony Romera! ESSEL kicks off the compilation with the catchy choral loops of "The Edge", with other highlights to mention across some 50 tracks coming from Martin Ikin's drippin' "Make U Sweat", CASSIM's disco-tinged "Wanna Feel Something" and Carly Wilford's "The Dance". Time to dive into Miami 2024 - Toolroom style!
Review: Long-serving producer Disco Tech has released more edits and reworks over the years than we've had hot dinners. Remarkably, he still continues to deliver on-point revisions - as this second volume in his ongoing 'Reworks' EP series proves. There's much to admire across the six tracks on show, from the atmospheric, slow-burn excellence of AOR disco revision 'Stars In The Ghetto' and the dub-funk wonder that is the James Brown-sampling 'Boss', to the peak-time '80s disco sing-along 'Take Time' and the on-point Clash dub disco revision 'Magnificent'. We also recommend 'Be With You', a deliciously groovy, dubbed-out take on a Doc Severinsen track that has long been a DJ Harvey favourite.
Review: Montenegro-based rework maestro Mitiko (real name Sasha Mitich) has been a busy boy this year, with this EP-turned-mini album marking his sixth missive of 2024 to date. There's plenty to get the blood pumping and the feet moving across the seven tracks on show, from the lightly housed up vocal disco rush of 'Along With You' and the filter-sporting Afro-disco joy of 'Fungi Mama', to the slow-motion disco-funk headiness of 'Ghost' and the build-and-release excellence of the stomping, string-laden peak-time disco of 'Peak At You'. Those seeking mid-tempo thrills are catered for via 'Get Up and Boogie', while 'Latin Hustle' is a memorable revision of a Spanish language dancefloor gem.
Review: Given that Divine Who is a gospel-disco rework project helmed by Greg Belson (one of the world's most renowned gospel diggers) and Midnight Riot chief Yam Who, you'd expect this second volume in their ongoing 'Altared Disco' series to be packed to the rafters with killer revisions of dusty and obscure gems. It is, of course, with the pair hitting the mark straight away with 'Dance' - a thickset disco-house affair in which soaring gospel lead and backing vocals rise above chunky beats, infectious piano riffs and swirling sonics. 'Never Turn Back (Jaegerossa Remix)' is another peak-time ready house-style revision of a piano-powered, hands-aloft gospel-disco treat, while 'Feel' puts a new spin on a slap-bass sporting chunk of early '80s gospel-electrofunk.
Review: The Southpoint train continues to drive forward, welcoming some of the best and most exciting new garage and breaks talents in their already well established hall of greats, this time seeing ODF arrive for a fiery debut drop. We open up with 'Riddim & Flow', a powerhouse speedy g slapper, diving perfectly between high energy drum shakes, square-wave bass notation and tight rhythmic designs. On the flip to this, a major switch up as 'B-Side Bubbler' delivers a much more old school feeling, combining broken-beat drum work with moody subs and a clean finish, giving us a near perfect switch up from A to B.
Review: Producer Blair French makes an impressive debut on MotorCity Wine Recordings with his "Ancestarians" EP. The release finds him adeptly bridging the worlds of soulful Detroit deep house and laidback Balearic grooves, carving out a distinct musical identity. The Physical Mix of the title track lays down a midtempo, jazzy groove primed for the dancefloor, infusing pan-African rhythms and a rich interplay of live instruments. In contrast, the Spiritual Mix ventures into more atmospheric, ambient realms, highlighting French's varied musical influences. Kicking off with a vibrant bounce, "Champagne Kiddie Pool" melds bright cavaquinho tones with an infectious dembow-inflected groove, conjuring up a summertime beach vibe. The EP's closing cut "Sandbox Fossils" ratchets up the energy level with its dynamic drum programming, shimmering keys and a standout bassline performance.
Review: It's an exciting thing indeed to see the super consistent production talents of Vital Techniques landing on the legendary DJ EZ's Nuvolve imprint, unleashing three emotive bubblers for the dances to enjoy. First up, a dizzying display of synthetic mastery and fiery double drops as 'In My Head' takes the centre stage. From here, a more groove-inspired approach on 'Run It' as we face a sumptuous sweeping combination of grinding synthesisers and unpredictable drum crashes, before 'Show Me Your Love' takes hard hitting 4x4 drum punches and emotive vocal lines for a killer closer.
Review: Billed as a "tribute to the forgotten late '80s/early '90s era of Bhangra influenced by house, dub and hip-hop", this expansive collection boasts fresh remixes of tracks from Manjeet Kondal's 1986 album 'Holle Holle', and a fresh cut featuring vocal samples from that set. Mr Scruff steps up to provide the remixes, offering four passes on 'Ishkaan de Mamie': a deliciously jacking, proto house-meets-acid house full vocal remix that lasts for just a shade under 10 mesmerising minutes, a sleazy and percussive 'Instrumental Dub', an alternative 'Vocal Strip Down' take with added TB-303 tweaks, and a tidy 'Edit'. Turbotito and Ragz deliver 'Pyaar', a brilliant slab of late '80s style Bhangra/hip-hop fusion with added acid lines. The 'Lovey Dubby Dub' is a sensational alternative pass that's arguably better than the duo's original mix.
Review: In keeping with the approach of its predecessors, the fourth annual Boogie Angst compilation brings together "cool cuts" from the past year and a smattering of exclusives and previously unreleased gems. As you'd expect from a label helmed by Kraak & Smaak, it's a genuinely joyous and celebratory affair, packed to the rafters with party-starting workouts. For proof, check the revivalist disco-boogie cheeriness of Titeknots' 'Feels Good 2 Me', the future soul shuffle of 'Treat U Good' by Moods, Noah Slee, Lyriya & Meron, the summery electrofunk sunshine that is Art of Tones' kaleidoscopic rework of LUXXURY's 'Just Like It Was Before', the Rhodes-laden warmth of Kraak & Smaak's nostalgic 'All I Need' and the spiritually-enriching Latin deep house shuffle of Osunlade's Yoruba Soul rework of his Casbah 73 collaboration, 'Let's Invade The Amazon'.
Review: Germany's DJ Friction once more dons his Frico re-editor's hat and serves up another brace of reworks of classic tracks from days of yore - more specifically, in this instance, days of early 80s boogie yore. First to get the treatment is 'Never Let You Go', a 1982 cut by UK outfit Savanna. Frico's remake is very faithful to the original, but most importantly he leaves the fine scatting section towards the end intact... doo doo dah-dah! Frico then turns his attention to 'Sparkle', another 1982 jam, this time by veteran Japanese singer-songwriter and producer Tatsuro Yamashita. Boogie lovers will be in raptures.
Review: NYC combo 79.5 are, like Midnight Magic and Escort before them, a live outfit whose trademark sound and output is shaped by the rich musical history of the city they call home. That superb sound was outlined on last year's eponymous debut album, tracks from which appear in remixed form on this must-check EP. There are two takes on previous single 'Feel Like Dancin': an extended deep house take by Malik Hendricks with added Afro-house percussion, and an impressive low-tempo chugger titled the 'Generalisation Dub'. 'B.D.F.Q' also comes in two contrasting variations: the spacey electro-meets-ghetto-house flex of the Jubilee Remix, and an extended version of FSQ's Midnight Magic style neo-disco interpretation. A percussive and joyous J Kriv house revision of 'Our Hearts Didn't Go That Way' completes a fine package.
Review: Bondax's "Journey" on Future Disco isn't just an album title, it's an experience. This LP marks a decade in the game for the UK dance duo, and "Journey" reflects that beautifully. It's a blend of their signature sounds with fresh influences, all wrapped in a future-disco sheen. The album kicks off with the previously-released banger "Don't Want It," setting the pace with driving rhythms and those classic Bondax synths. Tracks like "I Only Have You" showcase their versatility, featuring smooth vocals from Eno Williams that blend seamlessly with their sonic palette. A true highlight is "Fade" featuring SHELLS. Flanging guitars and entrancing beats create a mesmerizing soundscape, perfectly embodying the album's exploration of diverse sounds. "Yabaal to London" is another winner, a funky fusion of 80s disco and modern production with the Dur-Dur Band. It's impossible not to move to this one. It's a genre-bending album that pays homage to disco's roots while offering a fresh, modern take. Packed with infectious beats, captivating vocals, and stellar production, this album is a guaranteed dance floor filler and a must-listen for fans of electronic music with a touch of nostalgia.
Review: Off the top of our heads, we can't think back to a release that the Vitamin D imprint has felt disappointing, with the ever-present garage skills of both K-LONE & Wilfy D arriving here for another tasty double single drop. Firstly 'On The Down Low' sees the pair utilise classic R&B style vocals over a smoothened 2-step combo of fluttering chord lines and tightened sub-bass. On the flip to this, 'Nobody' gives us a slightly different feeling, giving the vocal textures a much more affected, choppy feel, topped off with a groovy combination of bubbling organ and piano chords, giving both tracks a tidy balance indeed.
Review: 2024 was always going to be a year of surprises, and the latest release on Rekids is testament to that. Man Power hooks up with the Paris-based Louisahhh for an unexpected anthem in waiting. The title track is an expansive deep house track. At its heart is a pulsating bass combined with Louisahhh's freeform narrative about the state of the world. As befits such a modern classic, Rekids has commissioned Deetron to deliver three remixes. The dub version is a joyous UR-style deep techno version, while the main version follows a similar trajectory, powered by thunder claps and outer space tones. Keeping the audience guessing, Deetron also delivers a 'Drum & Bass' version that focuses on high-paced techno, while the 'Bleep Tool' ends the release to the sound of glistening tonal bliss.
Review: "Shut The Lights Out" is a funky throwback brimming with infectious energy, courtesy of Berlin production duo Lovebirds and vocalist NILE. Lovebirds channel their well-regarded love for 70s and 80s sounds into a groovy production. The foundation is an arresting funk beat, bolstered by classic disco instrumentation and dreamy synths. NILE's vocals are the perfect compliment, with a motivational spoken-word style that adds another layer of interest. The package is completed by a remix from disco aficionado Birdee, who takes the original's sparkling energy and adds their own signature touch. Birdee's remix is an upbeat and spacey take, perfect for extending the dancefloor journey.
Review: The new EP, "Offshore Sunsets," by the collaborative effort of Steve Cobby (of Fila Brazilia fame) and Third Attempt washes over the listener like a warm, hazy summer evening. Released on Paper Recordings, this three-track offering is a delightful exploration of Balearic house, perfect for unwinding or soundtracking a laid-back gathering. The opening track, "B Human," sets the tone with its "rolling, hypnotic, spaced-out" vibe (as described by Paper Recordings). Floating minor keys, a walking bassline, and a gorgeously chugging guitar create a sun-drenched soundscape. This is Balearic bliss at its finest. Third Attempt takes the reins for the aptly titled "Language Of The Heart." This track leans into a more downtempo, a perfect offering for those late-night sessions or creating a chilled atmosphere. The duo reunites for the closing track, "Feeling Seen." This hazy, jazzy broken beat number brings the EP to a satisfying conclusion. Deep basslines intertwine with funky elements, showcasing the collaborative magic between Cobby and Third Attempt.
Review: Over the last few years, Martin 'Atjazz' Iveson has spent a fair amount of time mentoring Peacey, a young producer with oodles of talent. That much is proved by the rising star's expansive debut album, a superb 16-track set that combines sizzling colo cuts with a string of inspired collaborations. The Edinburgh-based artist sets his stall out via the luscious horn arrangements and immersive ambient electronics of 'Play It By Ear', before drifting between head-nodding R&B loveliness (Oveous hook-up 'Love In The Forest'), sensual and seductive, soul-flecked deep house ('Hold Me Back' with Clyde and Atjazz), mid-tempo boogie-soul ('Playground' with Rona Ray), dubby and dreamy downtempo grooves ('Last Night's Dream'), deep and techy, spoken word-sporting dancefloor workouts ('Culture Bandit' with Vanessa Hidary) and jazz-funk influenced excellence (LaRoye collab 'In The Distance').
Review: Here's another must-check missive of lesser-known and hard-to-find material from DJ Kaos's Jolly Jams label, curated with love by the man himself. Over the course of 12 tidy tracks, we're treated to ambient lusciousness (Superpitcher remixing Kaos's own 'World Turning'), deliciously dubbed-out proto-house (the 'Warehousin' Mix' of Split Secs' 'I'm Not Losing'), mind-mangling psychedelic electronic disco-meets-acid house (Red Axes' 'Promo Only'), dub disco (Slaves of Love and Tavish, whose 'Raw Seduction' is genuinely superb), soaring disco edit action (Spring Break Edit), Sylvester pitched-down and blissed out (Balearic Skip), Kenny Hawkes-ish disco-not-disco eccentricity (Luke Solomon remixing Richard From Milwaukee) and ragging acid tracks (Danny Russell & Timothy Alexander).
Review: Reel People Music's annual Soulful, Deep & Dope compilations always deliver exactly what the title promises, namely club-focused jams of the most positive, musically expansive and spiritually enriching kind. This year's edition is a particularly potent collection, with 20 tried-and-tested tracks to devour. Highlights are naturally plentiful, from the tech-tinged deep house soulfulness of Mark Francis's remix of Opolopo and Angela Johnson's 'Stay This Way', and Glenn Underground's wonderfully musically expansive revision of Harold Matthews Jr and Sean McCabe's 'This Place', to the sunset-ready wonder of Matthew Brandy's 'Wish' (featuring an impeccable vocal performance by Josh Milan) and the soulful deep house brilliance of Atjazz and Shea Soul's inspired 'Home'.
Review: Monty Luke's Nightdubbing project on Rekids was designed to showcase the Black Catalogue boss's deep love of dub-infused house and techno. This 13-track album combines previously unheard cuts with nine tracks previously showcased across a pair of EPs of the same name. It's a fantastic set all told, with highlights including the smacked-out electro-dub headiness of opener '40 Acres and a Terrabyte', the extra-percussive deep dub-house hypnotism of 'Bob Molly', the after-hours friendly minimalism of 'Star Storms', the Detroit-goes-dub techno pulse of 'New World/Old Future', the classic dub techno warmth of 'Dark Paradise', and the dub-wise deep house dreaminess of 'Avantgarde Dancehall'. Throw in a handful of tidy ambient and digital dub tracks, and you have a genuinely superb long-player.
Review: The second instalment of Len Faki's remixes see the storied techno producer tap his favourite artists to re-interpret his work. Luke Slater's Deep Heat take on "Shri Yantra" is redolent of his classic Planetary Assault Systems work, with firing percussion and dramatic break downs to the fore. In contrast, Amotik's version of "Make Me Scream" follows a heads-down approach, with haunting vocals wrapped into a bleep-heavy, rolling groove. In contrast, ANNA's remix of "Hymn" is a tranced out, big room track. At the other end of the spectrum, Modeselektor's interpretation of "Don't Be Stupid Day" is a moody electro stepper, led by waves of menacing low end.
Review: The legendary Jeremy Sylvester is back in fine form with this fiery display, unloading four dancefloor-ready rollers with some real throwback feelings, courtesy of course of Time Is Now. We open up with the nostalgic chord progressions and heavily reverberated soundscapes of '90's Man', which sets the tone perfectly, followed by 'Flashback', a sleeklike roller doused in electronic energy. From here 'In The Morning' arrives to unleash a more subtle bubbling feeling, focussing on moogy basslines and refreshing pad arrangements, before the heavily sampled vocal chops and icey synth sweeps of 'Wickedest Sound' close off the EP with a bang
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